Tag Archives: Paris

Paris: Shepard Fairey ‘Earth Crisis’ at the Eiffel Tower

Obey - Earth Crisis by Aline Deschamps

Shepard Fairey unveiled his latest work “Earth Crisis”: a giant sphere suspended between the first and second floor of the Eiffel Tower, a call to action to address the global environmental crisis. Visible from November 20 to 26th, it is a strong artistic gesture for Paris that will host the World Conference on climate change COP21.

This project designed and implemented by Gallery Itinerrance comes from the combination of resolute commitment of the artist, the Mayor of Paris and the operating company of the Eiffel Tower, in favor of sustainable development. The sphere, called “Earth Crisis,” weighs 2.3 tons and displays 8 meters in diameter for a printed surface area of ​​over 200 meters squared. Suspended more than 60 meters above the ground, it is a strong call to reflection on the future of our planet and the threats to its sustainability.

“My political stance on protecting the planet is driven by my concern for the quality of life for future generations. I’m not an alarmist, but I do think people need to understand that we are facing an earth crisis. I think it is exciting that the globe provides different experiences for the viewer from a distance and up close while living in the heart of the Eiffel Tower. I hope the Earth Crisis Globe appeals visually but also generates a needed conversation about the fate of our planet.” -Shepard

Obey - Earth Crisis MilanPoyet 02.jpg

‘Public art has the power to engage people emotionally and intellectually. The Earth Crisis Globe is a mandala designed to provide a unified ornamental structure that evokes floral motifs and harmony with nature. Housed within the mandala’s shields are images that symbolize both threats to nature and incitement to respect it. The mandala images, composed of climate change and environmentally themed graphics, are positioned to raise awareness and provoke discussions about the Earth’s future. The colors used in the globe design connect blue and green of air, water, and vegetation that allow the earth to sustain life. ‘

Earth Crisis 01

Shepard Fairey explains in details the panels of the Earth Crisis Globe:

EARTH CRISIS

My political stance on protecting the planet is driven by my concern for the quality of life for future generations. When I look at the motives of those who deny climate change, they are not driven by a quest for truth, but by greed or, in the case of politicians, the benefit of aligning themselves with certain corporate donors. The correlation between Carbon emissions and climate change is virtually unanimous in the scientific community. I’m not an alarmist, but I do think people need to understand that we are facing an earth crisis. If you aren’t a bit concerned about climate change, what will it take… NYC and Bangladesh under water?

ENDLESS POWER

The Endless Power image is designed to feel like a vintage ad celebrating the abundance of gasoline and the bright future of the American Dream. The claim that petrol provides an unlimited future is a snapshot of the overly-optimistic wish that oil is unlimited. Oil is finite and a major factor in climate change, but reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited. Scientists hired by fossil fuels corporations represent the 1% minority of the scientific community who claim that oil and gas don’t contribute to climate change. These are the same scientists who, if paid, would claim that smoking cures asthma or that gas fumes are a cure-all lung tonic.

 

EARTH CRISIS

My political stance on protecting the planet is driven by my concern for the quality of life for future generations. When I look at the motives of those who deny climate change, they are not driven by a quest for truth, but by greed or, in the case of politicians, the benefit of aligning themselves with certain corporate donors. The correlation between Carbon emissions and climate change is virtually unanimous in the scientific community. I’m not an alarmist, but I do think people need to understand that we are facing an earth crisis. If you aren’t a bit concerned about climate change, what will it take… NYC and Bangladesh under water?

GREEN POWER

Green Power was created as part of my Power & Glory series. The series explores various notions of power and glory in terms of industry, authority, energy, the environment, politics, vice, and virtue. Many of my Power & Glory images critique fossil fuels and explore their accompanying oil and gas iconography as symbols of what literally and metaphorically drives America. Green Power was one of the images from the series in support of green energy. Rather than subsidizing dirty fossil fuels, tax revenues should be supporting research and development for renewable power sources.

obey cop21

RESPECT AND JUSTICE

The Respect & Justice image is a call to celebrate, respect, and nurture the planet. The inter-dependence of earth’s eco-systems inspired the concept of Gaia, or the earth as one organism with a respiratory system. The earth’s delicate respiratory system can be thrown dangerously out of balance by climate change. True justice for the earth and future generations of all species can only be achieved by respecting the fragility of the eco-systems that sustain life. The future is in our hands.

PAINT IT BLACK

Paint it Black Hand is inspired by the Rolling Stones song and is about oil influencing too much of U.S. energy policy and foreign policy. Imagine if all the money spent on wars and strategic interests in the Middle East had been spent on developing green energy alternatives. Instead, the government subsidizes the highly profitable oil and gas industries for billions a year because no politician wants a rise in the price of gas to be blamed on them. The need for gas will remain, but countries and companies need to invest in sustainable energy alternatives to help with the transition away from the finite supply of fossil fuels that are also responsible for CO2 emissions and climate change.

LIFEGUARD NOT ON DUTY

This Lifeguard Not On Duty image was inspired by vintage scenic postcards and some old photos I saw of oil derricks down the beach on the California coast. There are still oil drilling platforms visible from the beach in Santa Barbara where there have been several oil spills. Beyond just the environmental hazards of oil spills and climate change, Lifeguard Not On Duty is also about our collective lack of foresight in transitioning away from oil, which is finite, to energy sources which are renewable. The tide will turn, and the question is whether the worldwill be technically equipped to adapt.

GLOBAL WARMING

The Global Warning image was inspired by watching my wife Amanda sunbathe with a newspaper over her face. I imagined the irony of newspaper headlines about climate change while the sunbather remains blissfully ignorant while the warnings about global warming are literally right in front of her face! I photographed my wife on the spot to make an illustration and then I had fun critiquing the right-wing climate change deniers in the satirical newspaper articles. Considering the magnitude of climate change, it is surpring that it does not make newspaper headlines with greater frequency.

SAVE OUR ENVIRONMENT

This image was originally created in the late 90’s for an organization called Save Our Environment which was founded by Mike D of the Beastie Boys. At the time, wind energy was becoming more cost-effective, and therefore viable, as a sustainable alternative to fossil fuels. Wind is actually free, so the biggest challenge to implementing wind turbines is the up-front cost. I think the investment in wind energy to save our environment is well worth it. I designed this image to suggest that windmills or turbines are iconic symbols of a healthy earth.

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Pictures by Aline Deschamps, Milan Poyet, SETE/ E.Livine  for Galerie Itinerrance and the artist

Release: Nick Walker – The Last Ride Print

NW Print

Nick Walker (check the studio visit here) will have a new print on sale on Monday 12th October at 3.30pm DST UK time,  entitled The Last Ride.

The print is based on a portrait I took of the UK artist during a visit in Paris.  He’s wearing his signature Vandal outfit and umbrella while riding a carousel horse next to the Eiffel Tower. A quite surreal experience…

Produced in an edition of 150 on Somerset Satin 410 gms , measuring  66cm x 96 cm, it will be available for £400 online from  www.theartofnickwalker.com .

Nick Walker ride

Paris: Brusk – ‘Ad Vitam Eternam’

Brusk - Ad vitam Eternam

Member of the Da Mental Vaporz crew , multidisciplinary artist Brusk is one of the leading figures of Street Art in France, with mastering techniques in graffiti , but also lightgraff, sculpture, installation and 3D animation. For his first Parisian show ‘AD VITAM ETERNAM?‘ at Galerie Itinerrance, Brusk concentrated more than twenty years of exceptional practice on a series of paintings and sculptures. All his imagery is there: ripped icons, symbols of polluted consumerism, children drawings made out of acid colors, ironic references to the masters. Magritte’s ‘Red Model’ is revisited with Nike shoes, Rodin’s ‘Thinker’ is melting away.

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The artist trademark rainbow dripping technique creates volume and lighting effects that evolve in an impressive 3rd dimension.  A sculpture of a real size baby elephant holding a spraycan defies gravity leaving his footprints on the ceiling and walls. A shining and melting bleeding heart sculpture is made of two kissing skulls, symbol of love until death.
‘AD VITAM ETERNAM?’ questions the place of humanity in its urban environment and invites the viewer to reflect on the future of the living and its relationship with death.

Brusk - Ad vitam Eternam   Brusk - Ad vitam Eternam  Brusk - Ad vitam Eternam
Brusk - Ad vitam Eternam

Many artists like Seth, Legz , Choq and members of the DMV crew (Jaw, Kan, Sowat) also came in force to celebrate the opening.

Brusk - Ad vitam Eternam  Brusk - Ad vitam Eternam     Brusk - Ad vitam Eternam
Brusk - Ad vitam Eternam
Brusk - Ad vitam Eternam     Brusk - Ad vitam Eternam     Brusk - Ad vitam Eternam     Brusk - Ad vitam Eternam
Brusk - Ad vitam Eternam

View the full set of pics here

Brusk – Ad Vitam Eternam?
Until 11 July 2015
Galerie Itinerrance
Paris

Paris: Jeff Koons Retrospective – Centre Pompidou

Jeff Koons Retrospective - Pompidou

In collaboration with the Whitney Museum of American Art, the Centre Pompidou in Paris is currently presenting the first exhaustive retrospective devoted to Jeff Koons in Europe until 27 April 2015.

Through a chronological itinerary, the retrospective features around 100 sculptures and paintings sourced from all over the world, including all the landmarks in the artist’s career for the past 35 years.

Inspired by Marcel Duchamp “readymade’ objects, Jeff Koons started his first series Inflatables, by displaying coloured inflatable toys on mirrors. He then turned his attention to household appliances like the vacuum cleaner for his New series (1981), set in display cases illuminated by fluorescent light. They represent the American society aspiring to pragmatism and personal success through technology.

Jeff Koons Retrospective - PompidouJeff Koons Retrospective - Pompidou

Pursuing his topic of the American Dream with the desire for upward mobility, Jeff Koons used the notion of sports as a way for underpriviledged to climb the social ladder, and created the Equilibrium series (1985), where basketballs float in aquarium-like glass tanks.  In parallel he also challenged the notion of light objects in creating identical bronze casts (snorkel, Aqualung, lifeboat).

Jeff Koons Retrospective - Pompidou
Jeff Koons Retrospective - Pompidou

With Statuary, Jeff Koons replicated to the perfection familiar figurative decorative objects in stainless steel in order to appeal to widest public possible. Rabbit(1986)  is a perfect example. Using skilled artisans, he raised new heights in porcelain and sculpture on woods with his large scale works from the Banality series like Michael Jackson and Bubbles (1988).

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Jeff Koons Retrospective - Pompidou     Jeff Koons Retrospective - Pompidou

Having married adult film star and Italian parliamentarian Ilona Staller, alias Cicciolina, Jeff Koons then decided to feature himself in explicit photographs set in dream-like landscapes or sculptures for Made in Heaven (1989-1991).

Jeff Koons Retrospective - Pompidou

Based on the original photographs he was asked to produce for a calendar, Celebration features large scale paintings and monumental sculptures from hearts, beribboned eggs, party balloons and toys using cutting edge technology and craftspeople.

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The hugely ambitious technical and financial demands of Celebration  resulted in a delayed public launch. So Jeff Koons responded with Easyfun, a series of playful mirror sculptures linked to childhood, illustrating animal shapes and cartoon esthectics.

Jeff Koons Retrospective - Pompidou

Popeye and Hulk Elvis epitomise the American mass culture that Jeff Koons so values. Inspired by inflatable toys caught in unlikely situations, the sculptural objects are perfect replicas of the original models cast in aluminium and then painted over to create an illusion. The end result is so good that audience members and children are automatically fooled and attracted to touch the sculptures raising the alarm. A green Hulk appears to be screaming with his piano keyboard.

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Jeff Koons Retrospective - Pompidou     Jeff Koons Retrospective - Pompidou

For the Antiquity series Jeff Koons revisits the landmarks of the history of art. His canvasses include a juxtaposition of photographs of inflatable objects and reproduction of statues of Aphrodite. The background, which evokes an abstract painting, may also conjure up the sea foam from which the goddess first emerged. In the foreground, Koons’s marker drawing of a sailboat makes a highly stylised allusion to Gustave Courbet’s The Origin of the World. The famous Palaeolithic Venus of Willendorf is transformed into Ballon Venus and so on.

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Gazing Ball is Jeff Koons’s most recent series, featuring replicas of infamous masterpieces of classical sculpture. Created out of white plaster, they are adorned by a bright blue glass globe, a nod to his father’s furniture and decorative shop ornaments.

Jeff Koons Retrospective - Pompidou Jeff Koons Retrospective - Pompidou     Jeff Koons Retrospective - Pompidou

Despite all the surrounding controversy and blatant narcissism, there is no denying that Jeff Koons ‘ artworks have gained perfection in their technique and end result.

View the full set of pics here

JEFF KOONS RETROSPECTIVE
Centre Pompidou – Paris
until 27 April 2015

Paris: Richard Prince – New Figures

Richard Prince - New figures

New York based contemporary artist Richard Prince  goes neo-Cubist with a beautiful body of photo collage paintings titled New Figures at Gallery Almine Rech in Paris.

The drawn lines, pale colors, and collaged shapes refer to Picasso’s elegant lines and Matisse’s scissor-snipped collages, before American art went Pop and life turned electronic. Some of the girls are covered with drawn bodies, another’s arms morph into geometric or schematic appendages in a freehand combination of image, design, and drawing.

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View the full set of pics here

Richard Prince – New Figures
Until 20 December 2014
Almine Rech Gallery
Paris