All posts by butterfly

Paris: Brusk ‘ In Memoriam’ Solo Show @Galerie Strouk

Brusk - In Memoriam

Famous for his large scale multicoloured murals on his own or with his crew, the Da Mental Vaporz, French street artist Brusk, is back to Paris for a new solo show ‘In Memoriam’ at Galerie Laurent Strouk.  It is his second solo show ( see Ad Vitam Eternam coverage here) in Paris.

The prestigious front sign ‘Matignon’ has been cheekily striked through with black spray paint while highlighting the letters ART in the Gallery name.

Brusk - In Memoriam

Combining a Fine Arts background with more than twenty years of graffiti,  Brusk’s  gestural painting is instantly recognizable. The artist creates questions, variations, wanderings through a poetic fantasy, mastering his signature  multicoloured dripping effects to create an abstract-figurative lyrical mix where all the misery of the world is transformed by the force and tension of bodies and forms. For the artist, the drippings no longer define a style effect but rather a technique in its own right, Brusk successfully tames it to create movement, relief, lightness and fluidity.

The themes touched upon by the artist resonate with the formal duality mentioned:  opposing love to death, urbanity to animals, the nobility of creation to the triviality of news.

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More recently, Brusk has started experimenting with volume and created two sculptures-installations for the exhibition, transferring his vision into sculpture.

Brusk - In Memoriam

References to his graffiti roots appear in numerous artworks from the high speed train ‘TG Vaporz’ to ‘Hors les Murs’ ripped building.

Brusk - In Memoriam
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Often tainted with a touch of humour,  the artworks sometimes reveals a more acerbic and more committed criticism. Brusk is also politically engaged and aim to raise awareness about societal issues such as global warming, pollution and the migrant crisis.

 
Brusk - In Memoriam

At the core of the exhibition, a series dedicated to Refugees illustrates the often unfair fate of these populations in Europe. A sculpture represents at totem of refugees stacked on paper boat, while poignant sound recordings  from migrants trying to cross the Mediterranean Sea play in the background ( these were recorded by  SOS Mediterranee, an association rescuing migrants across the Mediterranean Sea).   Deeply affected by the current situation, part of the proceeds of the artworks in the ‘Salle des Refugies’ will go to support SOS Mediterranee.

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The artist endeavours to demonstrate that art can modify our view, play a political role, and trigger actions.

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View the full set of pics here

Brusk – In Memoriam
Until 15 July 2017
Laurent Strouk Galerie
2 Avenue Matignon
75008 Paris

Bristol: Banksy Girl with UK Balloon Print – Product Recall

Coinciding with the UK elections, Banksy just announced on his website the free release on 9th June of an exclusive  new print, featuring his iconic Girl with Balloon with the heart being replaced by the UK flag. He hasn’t released any prints since 2010, so this is very exciting news. But there are some conditions.

‘This limited edition artwork on archival quality paper is completely free, but is only available to registered voters in the Bristol North West, Bristol West, North Somerset, Thornbury, Kingswood and Filton constituencies. Simply send in a photo of your ballot paper from polling day showing you voted against the Conservative incumbent and this complimentary gift will be mailed to you.

Police said anyone taking part in the offer could also be prosecuted.

A police spokesman said: “We’ve received a number of complaints about an offer of a free Banksy print to people living in six Bristol constituencies in exchange for them voting in a certain way in the forthcoming election and we can confirm we’re investigating the offer. It is a criminal offence under the Representation of the People Act 1983 for any voter to accept or agree to accept a gift or similar in return for voting or refraining from voting. Any person participating in an offer to receive a gift is at risk of being prosecuted.”

As a result on 5 June a message on Banksy’s website is now mentioning a product recall.

BPR

www.banksy.co.uk

Paris: Aya Takano – The Jelly Civilization Chronicle

Aya Takano

Japanese painter, illustrator, sci-fi writer and manga artist Aya Takano, is exhibiting ‘The Jelly Civilization Chronicle’, a selection of 26 paintings and several drawings on celluloid, all preparatory studies for a 186-page manga, unveiled in its entirety at Galerie Perrotin in Paris.
Aya Takano belongs to the Superflat movement and Kaikai Kiki, the artistic production studio created in 2001 by Takashi Murakami. Inspired by all art forms, from erotic stamps of the Edo Period to impressionism, from Osamu Tezuka to Gustav Klimt, the artist has built a universe all her own.  Her mythology has constructed itself little by little, through her creations and visions of the unknown.

The 2011 tsunami that struck the north eastern coasts of Japan and led to the nuclear accident of Fukushima was a real wake-up call for the artist and this catastrophe deeply influenced her work. Preferring oil paint, which is more natural, to acrylic paint, for example, Aya Takano seems to pursue a new artistic quest, both humble and spiritual, influenced by a unique interest in science and guided by an absolute respect for nature and human life.

Aya Takano

Aya Takano has a special gift for storytelling, which she expands and enriches from one image to the next. She has created a 186-page manga entitled The Jelly Civilization Chronicle, exhibited in its entirety at the Galerie Perrotin, in English. After taking form in her imagination, the work came to life in very colourful preparatory oil paintings and drawings on celluloid. We find all the themes and obsessions of the artist from the beginning of her career, 20 years ago: self-discovery, feminine beauty, science fiction, the fight between light and shadow and the pursuit of an immaterial ideal, freed from all restraints of gravity.

Aya Takano

The manga stages the adventures of Naki and Minaka in a journey from the “Machine Civilization” to the “Jelly Civilization”. In a back-and-forth voyage between eras and spaces, the two characters meet in the sky and travel to the outer edges of the universe via unexplored places or planets with unknown magical powers…

Aya Takano

Initially dressed in emblematic high school uniforms, they are in turns nude or swathed in traditional kimonos or dreamlike clothing made of a mysterious jelly, a living organism that feeds off of water and oxygen. Surrounded by fabulous creatures, they are also accompanied by their ancestors, represented in the form of animals. They learn about the stars, meet a queen in an owl mask and encounter beings with star-tattoœd skin.
On the ruins of a nuclear reactor, after numerous trials and metamorphoses, the herœs return to the peaceful society they originally came from. This “Jelly Civilization” combines tradition, memory and eternity: “Memories of all the people wearing ‘jelly’, memories of all the ‘jelly’, memories of what is happening now, of what might happen…”
The result is the fruit of an imagination that feeds itself, full of every possibility of illusion, like an ideal space on the border of dreams and desires. “I think it is omnipresent inside ourselves and everywhere,” explains Aya Takano. The Jelly Civilization Chronicle represented a real challenge for the artist, who devoted herself to telling the recent story of Japan, while crystallizing within it her worries and obsessions as she never had before: it took an entire year to develop this original and ambitious work, presented and distributed first time in Paris, at the Galerie Perrotin.

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View the full set of pics here

Aya Takano
The Jelly civilization
Galerie Perrotin, Paris

London streets: Fanakapan

Fanakapan

Street artist Fanakapan recently completed series of murals  in the streets of East  London. Using a shiny silver inflatable 3D style, the artist painted a silver balloon dog,  a  duo of clown characters holding a smiley balloon , and a tribute to Peanuts fictional characters by Charles M. Schulz’s comic strip featuring a flying helium balloon of the bird  Woodstock and Snoopy.

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Fanakapan

London: Ryoji Ikeda π, e, ø @Almine Rech

Japan’s leading electronic composer and visual artist Ryoji Ikeda is currently showing  a solo exhibition ‘ π, e, ø,’ organised with Olivier Renaud-Clement at Almine Rech Gallery in London

Ryoji Ikeda has gained a reputation as a unique artist working across both visual and sonic media. He elaborately orchestrates sound, visual materials, physical phenomena and mathematical notions into immersive live performances and installations.

The exhibition title π, e, ø stands for three important mathematical constants;

π (pi, the ratio of a circle’s circumference to its diameter)
e (the base of the natural logarithm)
ø (phi, golden ratio: a+b/a = a/b), all of which are infinite.

The show focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and aesthetics.
Through the use of mathematical vocabulary, the artist seeks to present infinity in a visual way.
The works on paper,  multiple variations of 1×1 surfaces of white and black from series of numbers,  the transcendental and the irrational, are exhaustively visualised in decimal expressions reaching 1.25 million digits a piece. These signs are beyond the limits of human comprehension or experience, and must be taken for wonders — apparitions of ominous and numinous beauty. A restrained elegance and minimalism reigns throughout, but the monochromatic surfaces belie the furious richness and staggering detail within.

Works from Ryoji Ikeda’s time and space series,  which convert the notion of Time onto 2-dimensional surfaces (Space), are presented together with works from the test pattern series that refers to the mathematical constants π, e, ø  and uses colors which are developed during the colour separation process of 16mm film.

More silent epiphanies are present in related works that elegantly visualise silence and time. 0’10” shows the numerical countdown from 10 to 0 that precedes films, making physically manifest the immaterial and temporal notion of ten seconds of 16mm film. Similarly, the work 4’33’, which consists of the physical equivalent of four minutes and thirty-three seconds of blank 16mm film with time code, clearly references John Cage’s hugely philosophical meditation on the impossibility of silence.

data.scan [nº1-9] is part of Ryoji Ikeda’s ongoing datamatics project (2006-) in which he explores the potential to perceive the invisible multi-substance of data which permeates our world. It is a series of experiments in various forms – audiovisual concerts, installations, publications and CD releases – that seek to materialise pure data. The audiovisual installations are composed of a combination of mathematics and the vast sea of data present in the world. Elaborately composed microscopic visualisations are shown on nine displays on plinths, all tightly synchronised with a minimal soundtrack and features sets of data from recent meta-scientific investigations mapping the human body and the astronomical universe (structures of errors, DNA sequence | chromosome nº11, morse code studies, molecular structure | protein, 4-dimensional hypercube | nodes). Positioned horizontally in intimate relation to the viewer’s body, the installation offers an intimate perception of each singular data investigation.

Echoing data.scan installation, is an ambiguous archeology of encoded knowledge from the systematics series.  Systematic patterns of data expression, from archival computer formats to contemporary technology referring to the technological progress of the digital age are displayed. These “primitive” systems, cultural artifacts and remnants of earlier technologies belong to a technological continuum beginning with the earliest stirrings of coded communication. The memory of a song forgotten in the piano roll, is now only silence, absence.

Ryoji Ikeda π, e, ø
Until 20 May
Almine Rech Gallery, London
Grosvenor Hill, Broadbent House,
W1K 3JH London UK