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The Museum Jean Larcena, in Val d’Ocre, Burgundy, France, is pleased to open an exhibition of works by London based artist Hisham Echafaki entitled Mirabilia Naturae ( Wonders of Nature), curated by Butterfly Art News. The exhibition runs until 19 June 2022.

Hisham Echafaki is a self-taught multidisciplinary artist who has been exhibiting internationally for over fifteen years. The artist’s style is a mix between realism and surrealism and sometimes uses the trompe-l’oeil technique.

In 2013, for the David Bowie exhibition at the Victoria & Albert Museum in London, Hisham Echafaki produced an anthropomorphic portrait of the singer composed entirely of 66 animals with a surprising trompe-l’oeil effect to celebrate the 66^th Birthday of the singer.

In 2019 Hisham Echafaki was invited by the Musée de la Poste in Paris to illustrate the facade with a 13-meter fresco retracing the history of mailboxes and artistic movements.

The artist will well appreciated with the local residents of Val d’Ocre as in 2018 he painted a giant fresco featuring an Iberian tortoise to warn about this endangered species. The mural has been the mascot of Val d’Ocre since.

MIRABILIA NATURAE – Wonders of Nature

From the end of the XVII th Century, explorers illustrated their discoveries of new animal and plant species and named them in Latin.

With the exhibition ‘Mirabilia Naturae’, Hisham Echafaki pays tribute to these ancient explorers who show us the wonders of nature, and transports us to a universe where the beauty and diversity of fauna and flora are celebrated in all their patterns and colours.

The series on display includes works on canvas, works on paper and multi-dimensional paintings on resin or plexiglass.

Beyond aesthetic imagery and the celebration of the beauty of nature, the themes of the exhibition highlight issues of biodiversity, the conservation of threatened species and habitats, and the impact of Man on the evolutionary changes of animal species.

In parallel with his paintings, Hisham Echafaki has also created a particular and very meticulous technique of painting on resin and plexiglass whose rendering is three-dimensional. His almost realistic animal works are based on multiple superimposed and meticulous layers of paint, resin, creating an effect of perspective.

This series of multi-dimensional works attempts to capture the beautiful complexity and diversity of the animal world. Detailed pieces can take up to 15-30 layers and several months to complete.

Whether based on real or imaginary specimens, butterflies, fishes or bees are immortalized giving the optical illusion that they could have been living creatures. Presented as “faux taxidermy”, animals often have anthropomorphic features on their wings or bodies with recognizable patterns from art, design, science while others, such as aquatic creatures, are just more realistic.

Hisham Echafaki would like to thank all the people that helped him on this exhibition: local residents of Val d’Ocre, the core team of the Museum with Francoise Richez, Patrice Lagrange, Sylvie Marchand, Bernard Curnier, and also Bassim, David Chaumet and Butterfly who worked on the preparation of the exhibition.

Here are some pictures from the set up and the opening:

Archaeology Now is a Solo exhibition by British artist Damien Hirst presenting over 80 works from the Treasures from the Wreck of the Unbelievable series, hosted in the sumptuous halls of Galleria Borghese, in a creative dialogue with the magnificent masterpieces of the museum.

The project stems from one of Hirst’s most original research in the last twenty years, on display for the first time in 2017 in Venice. The artist worked with different materials – natural, technological and precious – with exceptional technique and skill. His works – made from marble, bronze, rock crystal, and semi-precious stones – cross the boundary between reality and fiction, enhancing the desire for the eclecticism of Cardinal Scipione Borghese, the Gallery founder.

Hirst’s sculptures come with an elaborate (and untrue) backstory. Purportedly 2,000 years old, they were supposedly uncovered in the cargo of a sunken ship rescued off the coast of East Africa in 2008, part of an underwater archaeology venture funded by the British artist (hence the coral and barnacles encrusting some of the works). The original “Treasures” exhibition, which reportedly cost $65 million to produce, debuted at the Palazzo Grassi and the Punta della Dogana in 2017.

Curated by Anna Coliva and Mario Codognato Archaeology Now brings together sculptures, both monumental and small, made from materials such as bronze, Carrara marble, and malachite.

Furthermore, alongside the Gallery permanent collection, the Colour Space paintings are displayed for the first time in Italy. Hirst defined them as “cells under the microscope”: They break the idea of a unified image, float in space, colliding and merging with one another, with a sense of movement that contradicts the stasis of the canvas.