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Paris: Okuda & Remed “Temples et Ames”

Okuda & Remed

ADDA & SARTO Gallery in Paris is currently showing a duo exhibition with artists OKUDA and REMED titled ‘ Temples et Ames’.

One is from Lille in France, the other from Santander in Spain. Madrid adopted them both and they each developed in their own way a very particular style of urban art. On one side the poetry of REMED, on the other side the inexhaustible energy of OKUDA, both playing with sunny colours inspired by the Spanish sun.

OKUDA SAN MIGUEL and REMED worked together for the first time in 2011 on two canvases, linking their styles within their work. In 2012, under the direction of Anna Dimitrova, they began a long serie of collaborations together that took them to more than 20 countries around the world. From Moscow to Miami via Oslo, Madrid, Mexico… These are the cities that inspire them and where they accumulate life experiences closely linked to their creations. They are multidisciplinary artists: from walls to giant sculptures, canvases, boats…

A real synergy has been developing between them and their work. Evolving through the years, their creativity gave birth to a third artist.

Okuda & Remed

While they both continue their path with exhibitions around the world and notable mural interventions, their strong creative connection remains present.

“Temples and Souls” showcases just how contemporary their work is, far from their debut on the streets

Okuda San Miguel & Remed collaborative pieces

Okuda & RemedOkuda & Remed
Okuda & Remed

Okuda San Miguel

Okuda  invites the viewer into a psychedelic vortex of colours and geometric patterns.
In his work, rainbow geometric architectures blend with organic shapes, bodies without identity, headless animals and symbols. His works often raise questions about existentialism, the universe, the infinite, the meaning of life, and the contradictions of the false freedom of capitalism, showing a conflict between modernity and our roots.

Okuda & Remed
Okuda & RemedOkuda & Remed

Remed

Remed works harmoniously with geometry and calligraphy, developing a universal language of shapes and colors. Playing with the visible and invisible, figurative and abstract, he makes his figures disappear within vivid colours and flat patterns. He also loves playing words and created several typographies His artworks tell intricate stories and poems on the significance of life and love.

Okuda & RemedOkuda & RemedOkuda & RemedOkuda & Remed
Okuda & RemedOkuda & Remed
Okuda & Remed

View the full set of pics here

Okuda san Miguel & Remed ‘Temples et Ames’
Adda & Sarto Gallery
35 Avenue Matignon
Until End December 2019

 

Paris: Hisham Echafaki for the Musee de la Poste

The Musee de la Poste has been undergoing massive transformation and architectural refurbishing during the past 6 years. To celebrate its reopening, we have collaborated with artist Hisham Echafaki to create specific artworks for the facade of the new building.

Hisham Echafaki - Musee de la Poste 2019

A series of festive panels illustrate different postal boxes through the years and pays tribute to many art movements from Art Nouveau, Art Deco to Pop Art and more.
In parallel, Hisham Echafaki integrated messages about the acceleration of the fauna extinction ( from trophy hunting to the increased plastic pollution).

Hisham Echafaki - Musee de la Poste 2019Hisham Echafaki - Musee de la Poste 2019
Hisham Echafaki - Musee de la Poste 2019Hisham Echafaki - Musee de la Poste 2019
Hisham Echafaki - Musee de la Poste 2019
Hisham Echafaki - Musee de la Poste 2019

The last panel represents bees taking over a postal box and launching an S.O.S.

Hisham Echafaki - Musee de la Poste 2019

The Musee de la Poste will open to the public on 23 November.

Hisham Echafaki - Musee de la Poste 2019Hisham Echafaki - Musee de la Poste 2019Hisham Echafaki - Musee de la Poste 2019Hisham Echafaki - Musee de la Poste 2019
Hisham Echafaki - Musee de la Poste 2019
Hisham Echafaki - Musee de la Poste 2019

View the full set of pics here

L’Adresse Musee de la Poste, 34 Bd de Vaugirard, 75015 Paris

Banksy’s online store: ‘Why does art matter?’

GDP homepage

Two weeks ago Banksy opened a homewares store called Gross Domestic Product TM in Croydon, South London ( see our coverage here ). He made it clear that interested buyers weren’t in for a regular shopping experience and while the store attracted crowds, it physically did not open and it was not possible to purchase anything. Now that the pop up display shop has closed, the Gross Domestic Product TM official website reveals the homewares brand from BanksyTM.

In true subversive and irreverent Banksy style, the English artist continues to offer an unconventional retail experience where fans can, not purchase, but apply to purchase some of the pieces that were displayed in the Croydon pop-up.

The Gross Domestic Product online store offers merchandise with prices starting at £10 ($13) for a Banksy branded aerosol of paint to £850 for the stab vest as worn by Stormzy at the Glastonbury Festival in June.

Welcome mat

A “Banksy Welcome Mat,”  is “hand stitched using the fabric from life vests abandoned on the beaches of the Mediterranean,” the website says. The product is produced in collaboration with the organization Love Welcomes, which works with refugee women to produce mats from “life vests and blankets worn by frightened, exhausted Syrians as they wash up on European shores” and directs proceeds back to the refugee weavers.

The site also warns customers that they may have a “disappointing retail experience,” explaining, “Everything is produced by a handful of people using recycled material wherever possible in a workplace culture of daytime drinking. So there isn’t loads of it and it’s not all ready to ship straight away.”

Each Banksy’s creations will be sold to the most deserving bidder, as determined by his good will. There are some strict specific rules.

The website is clear from the outset that the store doesn’t work on a “first come, first serve” basis. Until October 28, shoppers can browse the items and sign up to a list. Each buyer can only sign up for one item—so choose wisely.

Those who want a Banksy original must answer the question ‘Why does art matter?’, with the ‘Why’ crossed out, in 50 words or less, and supply their contact information.

The reply to this question will be vital—if demand spikes, they will be used to help evaluate who gets to make the purchase. In fact, buyers are asked to make their answers “as amusing, informative or enlightening as possible.”

Applications will be randomly selected and then narrowed down. According to the website, answers will be assessed by an impartial and independent judge, namely a professional stand-up comedian. Winning registrants will receive word that they have won the option to purchase the selected item.

The original products, which will be awarded a certification of authenticity on the second anniversary of the purchase, are priced far below market value.

In fact, Gross Domestic Product isn’t aimed at the high-end collector. A disclaimer on the store’s website actually states that wealthy art collectors should “refrain from registering at this time,” in order to give lower-income art lovers a chance at this piece of history.

It will be interesting to see if Banksy’s safeguards keep these items out of the hands of people looking to flip the work and make a profit and, instead, into the homes of those who could never afford a $12 million painting.

So to enter the competition to purchase an item from Banksy’s online store, please provide your answer to the question “Why does art matter?”  on www.GrossDomesticProduct.com by 28 October 2019

Photo credit: Gross Domestic Product website

Toulouse: Rose Beton Biennale Part II

We continue our coverage of the Rose Beton Biennale in Toulouse ( check our previous report here). In parallel to the open air gallery, with street walls being painted throughout the city, the Museum of contemporary art, Les Abattoirs is hosting an exhibition featuring three international artists: Tania Mouraud, Todd James and Cleon Peterson.

Patron of the Biennale,  Tania Mouraud (b.1942) is a French multidisciplinary artist whose practice has been deployed since the late 1960s through paintings, installations, performances and videos. Her distinctive calligraphic style  is highlighted by seven kakemonos from the series Mots-Mêlés  surrounded by a large mural ‘Only the sound remains’, playing between letters, barcodes and graphic design.

Los Angeles based artist Cleon Peterson (b. 1973) painted a monumental and dystopic mural. Using a restricted colour palette, Cleon Peterson depicts a violent and chaotic world, inspired by mythological tales, historical facts as well as the current reality of our world.

New York based graffiti artist Todd James (b. 1969) showcases a series of fierce and acidulous paintings. Inspired by pop culture and action painting, his sexy curvaceous blonde character is playful, and grin in the face of machines and destruction.

Pictures by Prune Mahe for Butterfly Art News

Rose Beton – Les Abattoirs
Until 5 January 2020
Toulouse