Black out |

KAWS just opened a new solo exhibition called ‘BLACK OUT’ at Skarstedt in London. Featuring a series of ten new abstract paintings and two new sculptures. BLACKOUT coincides with KAWS: COMPANIONSHIP IN THE AGE OF LONELINESS at the National Gallery of Victoria, Melbourne, which follows a further solo presentation, ALONE AGAIN, at the Museum of Contemporary Art Detroit. This exhibition continues to further explore the emotional content of the artist’s work.

While retaining his colourful acrylic palette, the abstract compositions within his paintings contain figurative elements that suggest traps, pathways, bridges and boundaries. This imagery alludes to the artist’s underlying concern about the divisions within and across societies. He reminds us that despite living in a time of connectivity and constant communication we are separated by the toxic nature of current political and public discourse that also permeates social media.

With the sculptures KAWS uses two of his characters to convey opposing human attitudes.

In SHARE, the Companion is secure and looks outward, holding but not attached to the toy in its hand. KAWS’ figures, as ever, poignantly reveal to us the human condition in the contemporary world and also offer an alternative way of being.

In the sculpture TAKE, the BFF holds a child Companion defensively, pulling it back in a gesture of mistrust as if to prevent someone else from touching it; the child cowed looks to the ground, the fear is transferred.