Tag Archives: London

London: Seth- Chambrum Rangeam

December 6, 2018 butterfly

Dorothy Circus Gallery is currently showing a double solo shows in Rome and London, with French street artist Seth. Julien Malland, aka SETH, portrays children, dwelling in imaginary environments that, like in a trompe l’oeil painting, belong to our reality while also opening up to a new visionary dimension. His children float in a timeless space where everything is eternal and contemporary at the same time. Moving away from an ‘easy’ graffiti code made of skulls and enraged icons, Seth celebrates innocence and simplicity by depicting extremely coloured and ordered compositions where the viewers get loose.

The title of the show, ‘Chambrum Rangeam’ means “clean up your room” – words everyone has heard from his/her mother when you are young, too young to care, too lost in a parallel universe of images, colours, and floating thoughts often too deep to describe with words. The same universe is brought back to life by the French artist who, through lines and hues and figures, helps us recall the dreams we dreamt in our bedrooms.
Each image is an invitation to navigate through the memories of a lost time where we can still find our inner child. The chambre where we meet the artist is the same room where we can find our lost fantasy, our purest emotions – the magic pixie dust that helps us fly.

Seth – Chambrum Rangeam
Until 7 December 2018
Dorothy Circus London and Rome

Art Fair, Shows

London: Moniker Art Fair 2018

October 9, 2018 butterfly

Moniker Art Fair returned to East London last week, celebrating their 10th edition, by taking over the upper floor of The Old Truman Brewery and extending their 30,000 square foot fair space outdoors with their first-ever Formula-E art car painted by British street artist D*Face, as part of their ongoing collaboration with Kaspersky Lab.

Uncensored presented in partnership with Urban Nation

For the 10th edition, Moniker Art Fair has also partnered with Berlin’s Urban Nation Museum to present ‘UNCENSORED, a wholly unfiltered and unrestricted celebration of the revolutionary elements of urban contemporary art with a series of immersive installations.

Upon entering the upper floor of the Truman Brewery, visitors were greeted by a giant maze by French duo Lek & Sowat and had to navigated through to get to the entrance of Moniker.

Uncensored Installation Hall Co-Curated by Urban Nation features the works of Lek & Sowat (France) / Herakut (Germany) / FaithXLVII (South Africa) / Ann J Lewis (USA) / Li’Hill (Canada) / David Mesguich (France) / Dan Rawlings (UK)

In parallel Moniker also featured Artists Open Studios with VESOD (Italy) Vermibus (Spain) / Bom.K (France) / Axel Void (USA) / Dont Fret (USA) / Skewville (USA) / Louis Masai (UK)

Moniker also hosted a series of talks and conferences in partnership with the Nuart Journal, and film screenings including X Art documentary

Galleries and international artists showing works at the Fair include :
Under The Radar Gallery (London, UK) / Jewel Goodby Contemporary (London, UK) / Thinkspace Projects (Los Angeles CA, USA) – Solo show by Kaili Smith / Jealous Gallery (London, UK) / Landmark Street Art (Carlisle, UK) / BSMT SPACE (London, UK)/ 1963 Gallery (London, UK)/ Egle Zvirblyte (Lithuania) / Curious Duke Gallery (London, UK) / The Art Hound Gallery (Cambridge, UK) – Solo show by Lauren Baker / Well Hung Gallery (London, UK) / Graffik Gallery (London, UK) / Spoke Art Gallery (NYC and SF, USA) – Solo show by Erik Jones / The Moleskine Project presented by Spoke Art / The Secret Art Prize / Fοusion Gallery (Barcelona, Spain) / Fanakapan (London, UK) / Vinyl on Vinyl (Manila, Philippines)

Click below to view a photo gallery of the London Moniker Art Fair 2018

Moniker Art Fair
4-7 October 2018
Truman Brewery
https://www.monikerartfair.com

Art Fair, London

London: PAD Art Fair

October 2, 2018 butterfly

The 12th edition of the Pavilion of Art and Design (PAD) fair kicks off on October 1 with a fine line-up of 58 returning exhibitors. Set in Berkeley Square, Mayfair, PAD focusses on masterpieces across design, art, antiquities, tribal art and collectible jewellery.

10 new exhibitors join the prestigious roster of returning galleries and include: Achille Salvagni (London), Veta Stefanidou Tsoukala (Athens), 18 Davies Street (London), Karen Swami (Paris), and Robert Zehil (Monaco) in the fields of design and decorative arts; Hélène Bailly (Paris) in the field of 20th century art; Walid Akkad (Paris), Lorenz Bäumer (Paris), Valery Demure (London) and G by Glenn Spiro (London) in the field of collectible jewellery. With the arrival of these new renowned exhibitors, the fair will have a focus on collectible jewellery this year with a dedicated alley.

With the recent launch of PAD Genève and the ever-growing success of PAD Paris, PAD reinforces its position as Europe’s leading cross-collecting fair group based in three prime locations.

Here are some selected highlights. Click on the images for more information.

MATHIAS BENGTSSON “Growth Table”, 2017 Photo : Martin Krupp / Copyright Mathias Bengtsson ©Galerie Maria Wettergren

Franck Evennou 3 Leaves ‘Lotus’ coffee Table in polished bronze Photo: Bruno Simon Courtesy of Avant-Scene

The Claudette Colbert Starfish: A Ruby and Amethyst Starfish Brooch Designed by Juliette Moutard for René Boivin, Paris, 1937 Courtesy of Siegelson

Amphora With An Episode From The Myth Of Medea Greek (Attic), 520 – 500 B.C. Ceramic Courtesy of Phoenix Ancient Art

Joan Miró Femme et oiseau V/X (1960) Oil on burlap 54 x 42 cm (21 1/4 x 16 1/2 in) Signed with the initial M (lower left); signed Miró, titled and dated 14/5/60 on the reverse Courtesy of Mayoral

LOUIS MAJORELLE (1859 – 1926) “POINCARE”, A RARE FLOOR LAMP, CIRCA 1900 Wrought iron; the shade in alabaster Courtesy of Robert Zehill

PAD Art + Design Fair
1-7 October 2018
Berkeley Square
Mayfair
London W1J 5AX

London

London: Conor Harrington ‘The Story of US and Them’

September 24, 2018 butterfly 3 Comments

Irish born painter Conor Harringtonreturns to London with a new solo exhibition “The Story of Us and Them” at HENI Gallery in London. Fascinated by art history, Renaissance and the Baroque era, Conor Harrington continues to explore patriotism and contemporary social political themes, combining classical oil painting techniques and graffiti influences.

The exhibition features 12 new large scale works featuring two fictional male figures dressed in ornate baroque uniforms fighting each other and brandishing their bright coloured flags as weapon.

The viewer is immediately transported in this semi fictional tale, through bold red and blue vibrant colours, while the energetic brushstrokes accentuate the feeling of drama and movement.
Duality is an omnipresent theme : realism vs onirism, a sense of political division occurs through the use of colours, flags.
Conor Harrington’s painting techniques have also evolved with more loose paint gestures, the use of solvent and extinguishers to create some blurring effects while some elements of the composition are in focus with intricate details such as the uniforms or expressions of the faces.

“The works are set against a background of a fictional nation state and feature two so-called ‘blind patriots’ engaged in combat,” the gallery says. “By using predominantly red and blue in their apparel and the flags they brandish, Harrington draws on the various political and cultural connotations associated with this pairing to make a comment on society today.”

View the full set of pics here

Conor Harrington: The Story of Us and Them
14th September — 13th October 2018

HENI Gallery
6-10 Lexington St, London W1F 0LB

London, Shows

London: Hope to Nope – Graphics and Politics 2008-2018

July 8, 2018 butterfly

We are pleased to be part of the latest exhibition at the London Design Museum ‘Hope to Nope – Graphics and Politics 2008-18′.

Design can influence public perception, but great design can change it. From campaign designs to protest symbols, ‘Hope to Nope: Graphics and Politics 2008-2018’ explores the impact of graphic design in political and social movements over the last ten years.

Alongside traditional posters and banners, the exhibition charts the rise of digital media and social networking, which have given graphic iconography an extraordinary new reach. The political events featured include: the 2008 financial crash; the Barack Obama presidency; the Arab Spring; the Occupy movement; the Deepwater Horizon oil spill; the Charlie Hebdo attacks; Brexit and Donald Trump’s presidency.

The exhibition is structured in three distinct sections: power, protest and personality – which explore how design is used in politics to change public perceptions.

‘Power‘ starts off with the Obama campaign’s unofficial, but hugely popular, ‘Hope’ poster by Shepard Fairey, which is later compared to the failings in the design of the Remain campaign’s materials. It also features examples of Brandalism subverts advertising posters from 2015 Brandalism ad takeover in Paris (covered) with VW spoof ad by Barnbrook and Curfew Zone by Dr.D.

Regarding UK politics, the Power section highlights the Union Jack flag made with fragile tape by Sarah Boris, which was featured during several marches against Brexit in 2016 as well as designs from the RemaIN campaign.

Examples show how graphic design is used by the establishment to assert national and political authority like the Hillary Clinton presidential campaign, or used by its opponents like Soviet posters which were turned into a gay rights campaign and Dread Scott’s flag in support of the Black Lives Matter movement.

A large graphic timeline dissects the gallery, charting the role of new communication technologies such as Facebook and Twitter in global events of the last decade.

Protest displays graphic design by activists and demonstrators. The largest section in the exhibition, it includes newspapers from the 2011-12 Occupy London camp, an umbrella used during the 2014 Hong Kong ‘Umbrella Revolution’ and a 2m-high replica of the inflatable duck from the 2016 protests against Brazilian president Dilma Rousseff. This section also looks at the 2015 Je Suis Charlie and Peace for Paris marches, as well as responses to the 2017 Grenfell Tower disaster with the 24 hearts initiative by Sophie Lodge, demonstrating the important role played by graphic design in channelling anger and creating solidarity.

An installation film by Paul Plowman evokes the experience of public protest, combining hastags, forage and images from five protests : #womensmarch, #grenfell, #turkey, #catalonia, and #southafrica. These demonstrations cover diverse political viewpoints, from fighting for democracy to calling for justice, and emotions ranging from solidarity to fierce anger.

The final section, Personality, examines the graphic representation of leading political figures. Donald Trump’s trademark features are caricatured across the covers of more than 50 international magazines, including The Economist, TIME and Der Spiegel.

As we approach the ‘Nope’ of the exhibition we are faced with a scary and entertaining animation: an animatronic (mis)fortune telling machine tells and distributes messages by the new US President. This is the work by Nathaniel Lawlor, Andy Dao, Jon Barco and Bryan Denman.
‘With the over-saturation and bombardment of Trump in the news cycle, we saw how easy it was becoming for people to tune out the banter of these soundbites and Facebook headlines, so we thought—what better way to remind people of their gravitas than by showing them this could be their actual future?”