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Streets: Aida Wilde – Less Homes 4U

Aida Wilde

London based artist AIDA WILDE continues her interventions denouncing the rapid gentrification of London’s iconic and creative areas like Hackney Wick.
Her powerful text based street interventions incorporate social media terminology as a tool for activism.

Earlier in September, during the Art on the Streets conference, she presented her work about the gentrification of Hackney Wick, the curation of the Lord Napier project for Hackney Wicked ( from Shithouse to Penthouse), and A Hackney Wick Funeral, uniting countless artists in homage to Hackney Wick’s vibrant artistic past.

Croydon, a borough located south of London, often nicknamed ‘Cronx’ due to its infamous and controversial reputation, from Kate Moss to the 2011 London Riots, has been undergoing a lot of real estate development and revitalisation in a bid to change its image and attract new crowds.

In the city center many of the local shops have now closed to give way to big brands and so on.

Aida WildeAida Wilde
Aida Wilde

For the Croydon Rise Festival, a street art festival curated by Monoprixx, Wherethereswalls and Rise Gallery, aimed to become the largest free open air museum in Europe, Aida Wilde decided to create a bespoke shop front window namely apt ‘Less Homes 4U’.

Using her signature vibrant neon pink dotted wallpaper and black block text imagery, Aida Wilde continues to denounce the gentrification process.

Aida WildeAida WildeAida Wilde
Aida WildeAida Wilde
Aida WildeTeam Pic by @Wherethereswalls

Together with her glamorous assistants Aida pasted up bold messages on the shop window:

‘LESS HOMES 4 U’
‘IT’S OUT WITH THE HIPSTERS, IN WITH THE YUPSTERS’
‘ENOUGH IS ENOUGH’
‘LONG DRAMATIC PAUSE…’
‘AFFORDABLE HOUSING FOR NO ONE’

A sign next to the window indicates ‘WHERE ONLY THE 1% COUNT’, with the O being strategically stroked off.

Aida Wilde

In parallel in the Rise Gallery, the public is invited to add notes to Aida Wilde’s installation ‘My mother’s aspiration for me was…’

 

London: Banksy at the British Museum

Banksy British Museum

Back in 2005, Banksy installed this ‘cave painting’ titled ‘Peckham Rock’ in one of the galleries of the British Museum without permission, and without anyone noticing.
He gave it a fake identification number and label, and it remained on the wall for three days before the Museum was alerted to the prank via Banksy’s website.

This time the British Museum has invited Banksy back to the Museum to ‘officially’ exhibit the hoax piece in the upcoming ‘I Object‘ exhibition opening on 6 September 2018, highlighting the history of dissent and protest around the world.

More info on the British Museum website
http://britishmuseum.org/whats_on/exhibitions/i_object.aspx

I Object
6 September – 20 January 2019
British Museum
London

Giant Turtle mural by Hisham Echafaki

We are pleased to share a new project we have been collaborating with London based artist Hisham Echafaki in Saint-Aubin Chateau-Neuf in Val d’Ocre, France.

Initially known for his intricate surrealist compositions and three dimensional paintings (covered here), the contemporary artist braved the intense heatwave to paint this hyperrealistic monumental turtle.

Strong advocate and protector of the fauna and flora, Hisham Echafaki wanted to pay tribute to one of the endangered species as well as a nod to a Hermann turtle, member of the village since the past 45 years.

See more pictures of the work in progress.

Paris: Banksy Festive Rats

To conclude Banksy  invasion of Paris, the elusive artist celebrated also the festive spirit of the French capital with a series of stencilled rats.

Popping champagne bottles while happy rats are flying high on top of cork bottles.

Location as always: Montmartre first, and then in the Marais district with a Bar called ‘Chez Marianne’, of course.

To complicate things further, Banksy returned several times on the same locations, updating the stencils in colours and shape as you can see on the little animations, giving them a lively feel, as they were getting stolen, repainted or covered under plexi .

In the overcrowded area of the contemporary art centre ‘Centre Pompidou’, the elusive artist returned to paint a bigger mischief rat holding a cutter.

Lastly the  City of Love is celebrated with a little rat couple dressed in 19th century outfits, lovingly gazing at the Eiffel Tower in the background from under a bridge.

Such a romantic! Happy Summer !

 

 

Paris: ‘Illustres- C215 autour du Pantheon’

Illustres! C215 autour du Pantheon

Portraits of illustrious men and women painted by the French street artist Christian Guémy, better known as C215, adorn the French National Monument Pantheon and surrounding streets in the fifth arrondissement of Paris until 10 October.

This year, the Centre des Monuments Nationaux is presenting “Sur les murs, histoires (s) de graffiti” on nine monuments of its network (see our previous coverage here). On this occasion, the artist C215 was invited to make portraits of men and women honored at the Pantheon, and thematic visits are also set up in the monument, to discover the many historical graffiti present in the heights of the monument, spaces usually inaccessible to the public.

Christian Guémy pays tribute to the figures of the resistance, like Brecht, Zola or de Gaulle, whose names are associated with streets, squares and institutions. In all, 28 portraits of historical personalities, some of which are buried inside the Pantheon, are painted on the walls of the 5th district.

Illustres! C215 autour du PantheonIllustres! C215 autour du Pantheon
Illustres! C215 autour du PantheonIllustres! C215 autour du Pantheon

The tour titled “Illustres! C215 autour du Pantheon ” begins in the crypt of the monument, which hosts an exhibition of the artistic approach and the techniques used by the artist to create these colourful portraits: stencils, blades. A series of photographies illustrate the artist’s creative process, while a movie presents an interview of the artist.

Illustres! C215 autour du PantheonIllustres! C215 autour du Pantheon
Illustres! C215 autour du Pantheon

Within display cabinets, C215 is creating a dialogue between the illustrious portraits and symbolic objects. Thus, literary works, handwritten letters, and professional objects of Marie Curie, Germaine Tillion, Andre Malraux, Victor Hugo or Antoine de Saint-Exupery are exhibited and highlight the area for which these illustrious people are honoured.

Illustres! C215 autour du PantheonIllustres! C215 autour du Pantheon
Illustres! C215 autour du PantheonIllustres! C215 autour du Pantheon
Illustres! C215 autour du PantheonIllustres! C215 autour du Pantheon

Punctual visits to the upper parts of the Pantheon allow the public to discover some of the historical graffiti.

Illustres! C215 autour du PantheonIllustres! C215 autour du PantheonIllustres! C215 autour du PantheonIllustres! C215 autour du PantheonIllustres! C215 autour du PantheonIllustres! C215 autour du Pantheon
Illustres! C215 autour du PantheonIllustres! C215 autour du PantheonIllustres! C215 autour du PantheonIllustres! C215 autour du Pantheon

At the same time, C215 painted 28 portraits in the streets of the 5th arrondissement surrounding the Pantheon and invite the viewer to discover the lives of these extraordinary personalities.
For example a huge portrait of Marie Curie adorn the walls of the Institut Marie Carie.

Illustres! C215 autour du PantheonIllustres! C215 autour du PantheonIllustres! C215 autour du Pantheon
Illustres! C215 autour du PantheonIllustres! C215 autour du PantheonIllustres! C215 autour du PantheonIllustres! C215 autour du Pantheon

A full map of the C215 Illustres tour is available here

Illustres ! C215 Autour du Pantheon
Until 10 October
Place du Panthéon
75005 Paris

CMN ‘Sur les Murs, Histoire(s) de Graffiti’

https://graffiti.monuments-nationaux.fr/