All posts by butterfly

London: Ashley Bickerton – Ornamental Hysteria

Ashley Bickerton - Ornamental Hysteria

NewportStreet Gallery is currently showing a retrospective of works by US artist Ashley Bickerton.

Ornamental Hysteria’ spans more than three decades of Bickerton’s career and features 51 works, including a significant display of new and previously unexhibited pieces. It is the artist’s first UK show since 2009 and runs throughout all six spaces at Newport Street Gallery.

Bickerton moved to New York in 1982 and after working as a painting assistant to Jack Goldstein, he emerged as a key figure on the newly exploding East Village art scene. Within the context of the culture of commodification sweeping America he rose to prominence as part of an amorphous movement that was branded ‘Neo-Geometric Conceptualism’. Alongside artists such as Haim Steinbach and Jeff Koons, Bickerton endeavoured to reframe the practice of art production in response to the new, seductive mechanisms of desire at work in society.
Bickerton abandoned New York in 1993, eventually settling in Bali, where he still lives and works.

Throughout his career, Bickerton has challenged what we consider or define a painting
Multidisciplinary artist, Ashley Bickerton uses a variety of medium, from photocollage,  digital image, paint and sculpture  to create technical assemblages on the themes of opposition and duality: representation and reality, creativity and commodity, nature and artifice, idyll and apocalypse.

The gallery 1 presents a critique of contemporary consumer culture and the commodification of the ‘art object’ via steel and aluminium wall-mounted ‘Culturescapes’ from the ‘Logo’ and ‘Non-Word Word’ series.

Ashley Bickerton - Ornamental HysteriaAshley Bickerton - Ornamental Hysteria
Ashley Bickerton - Ornamental HysteriaAshley Bickerton - Ornamental Hysteria
Ashley Bickerton - Ornamental Hysteria

The monumental 5 Snake Heads  in the Gallery 2 showcasing a five-bodied, technicoloured serpent is a parody of the mythological figure of a self portrait of the artist.

Ashley Bickerton - Ornamental HysteriaAshley Bickerton - Ornamental HysteriaAshley Bickerton - Ornamental Hysteria

Colourful paintings like ‘Smiling Woman’ based on distorted and retouched photographs, illustrate models, family members and friends with heavy make-up as an overtly satirical and lurid vision of life on a generic Pacific / Caribbean island.

Ashley Bickerton - Ornamental HysteriaAshley Bickerton - Ornamental Hysteria
Ashley Bickerton - Ornamental HysteriaAshley Bickerton - Ornamental Hysteria
Ashley Bickerton - Ornamental Hysteria

Galleries 3 and 4 feature Bickerton’s ‘Sea’ and ‘Landscapes’ – offering a tragic view of the devastating impact of man on the ecosphere.

Ashley Bickerton - Ornamental HysteriaAshley Bickerton - Ornamental Hysteria
Ashley Bickerton - Ornamental Hysteria

View the full set of pics here

https://vimeo.com/215645083

Ashley Bickerton – Ornemental Hysteria
Until 20 August 2017
Newportstreet Gallery London

Paris: Okuda – The Dream of Mona Lisa

Okuda - The dream of Mona Lisa

Anna Dimitrova from Adda Gallery and Montana Gallery and Valériane Mondot from Taxie Gallery join forces to celebrate a collaborative new gallery ADDA & TAXIE and present a monographic and the first Parisian exhibition of Spanish artist OKUDA SAN MIGUEL called ‘The Dream of Mona Lisa’.

Inspired by the city of Paris, according to Okuda, the enigmatic Mona Lisa dreams of human figures and muses of the great classic masters. Being a creator and contemporary master, Okuda interprets these icons through his own surrealist prism using intense psychedelic colors and geometric harmonies.

Blending rainbow geometric landscapes with organic shapes, headless animals, figures, and personal iconography, his works produces mental stimulation and visually pleasing content. The artist continuously tries to balance the gray scale with his vibrant palette, using colors as a symbol of life and nature and the latter as a symbol of cement, death, dust and the material of classic sculptures.

In his latest series, Okuda San Miguel expresses his own vision of what the human being is made of. Humans are confronted with their roots, between its natural and ideal part, represented by trees and different types of animals and the capitalist society, represented by bricks. Showing us the world where human beings and animals are created equal, the artist distils his own personal vision of God. This conceptual research is the result of his journeys and continuous contact with different environments. The artist sums up the contradictions between existentialism, universe, infinite, freedom, modernity and the meaning of life as an inextinguishable thirst.

Okuda - The dream of Mona LisaOkuda - The dream of Mona LisaOkuda - The dream of Mona Lisa
Okuda - The dream of Mona LisaOkuda - The dream of Mona Lisa
Okuda - The dream of Mona LisaOkuda - The dream of Mona LisaOkuda - The dream of Mona LisaOkuda - The dream of Mona Lisa
Okuda - The dream of Mona Lisa
Okuda - The dream of Mona Lisa

View the full set of pics here

In parallel Okuda painted a monumental portrait of Mona Lisa in the 13th District of Paris (covered here)

Okuda -The Dream of Mona lisa
Adda & Taxie Gallerie
Until 29 August
35 Avenue Matignon, Paris

Paris: Xu Zhen – Civilization Iteration @Galerie Perrotin

Xu Zhen - Civilization Iteration

‘Civilization Iteration’ is the first solo exhibition of Chinese artist Xu Zhen at Galerie Perrotin in Paris, showcasing Xu’s important series of works since 2013 when he started a brand in his own name. Iteration refers to the way of achieving a desired result through repeated feedback. The exhibited series shows how an artist, amidst increasing globalization and networking of art, can approach the future of art with his own formula.

As early as 2001, Xu participated in the 49th Venice Biennale, then the youngest Chinese artist to exhibit works at this international art event. Having made a name at 20 as an artist, he has since created a large number of works based on his own consciousness. In 2009 he decided to establish the art creation enterprise MadeIn Company in Shanghai. Since then his works have been produced in a corporate fashion and his “artist” identity has been plunged into the center of controversy. Meanwhile, Xu’s creative focus has begun to shift to the relationship between art and business.

From the “individual artist period” when he concerned himself with the consciousness of identity, to “Xu Zhen brand”, Xu has moved on to repeatedly examine the current culture and transition as a reflection of the tremendous changes in human history over the past decades. Admittedly, the extension of consciousness unleashed by the Internet has eliminated temporal and spatial disparity. Yet, in the process, cultural learning in the traditional sense has been destroyed by information overload, giving way to recurrent cultural stagnation and dysfunctional standards. The information highway makes one feel unreal, and boundaries between meaning, values and reality gradually blur. In the course of time, after endless destruction and reconstruction, the boundless reformulations and iteration are opening up a new paradigm for civilization in the present.

The Rmn – Grand Palais moulding workshop is a little-known source of inspiration and a production workshop for artists searching for the classical canons (Xu Zhen today, Klein 50 years ago, Picasso and Dali 70 years ago, Rodin a century ago, etc.). After the Winged “Victory of Samothrace” inverted on the head of Buddha exhibited at the Fondation Louis Vuitton in winter 2015-16, the Perrotin gallery is currently presenting several works by Xu Zhen, two of which include reproductions from the Rmn – Grand Palais moulding workshop: “Aphrodite Holding Her Drapery” and “Belvedere Torso” from the “Eternity” series.

Xu Zhen - Civilization Iteration
Xu Zhen - Civilization IterationXu Zhen - Civilization Iteration
Xu Zhen - Civilization IterationXu Zhen - Civilization IterationXu Zhen - Civilization Iteration
Xu Zhen - Civilization IterationXu Zhen - Civilization IterationXu Zhen - Civilization Iteration
Xu Zhen - Civilization Iteration

XU Zhen – Civilization Iteration
Galerie Perrotin
Until 29 July
76 rue de Turenne 75003 Paris

Paris: Lek & Sowat

Lek & Sowat - Carre Baudouin

The 400 square meters of the contemporary art space of the Pavillon Carré has been transformed by the duo of artists Lek and Sowat. Invited by Elise Herszkowicz from Art Azoï, they have created immersive installations from the floors to ceilings. Through their multidisciplinary approach both artists invite the viewer into their urban, experimental and subversive universe through ephemeral wall paintings, stained-glass windows made of urban furniture, installations built from the ruins of the previous exhibition, as well as photos from their practice at Mausolee (see here), Lasco project at Palais de Tokyo (see here) or residency at Villa Medicis and movies like Traces Directs (watch here) which is part of the permanent collection at Centre Pompidou.

By investing this new place, they continue to push the boundaries of traditional graffiti and mix their architectural abstractions. Impressive and captivating, their work fits perfectly into the history of the Pavillon Carré and surroundings as it offers great art accessible to all.  For street artists, accustomed to urban exploration (Urbex), industrial ruins and illegal interventions, Lek and Sowat raise questions about the paradoxes of the institutionalization of urban art and its legitimity. Is having a self-taught and independent art practice enough to constitute a “circonstance attenuante” (mitigating circumstance)?  Through this multidisciplinary exhibition, Lek and Sowat invite us to reflect on the place of street art in art history.

Lek & Sowat - Carre BaudouinLek & Sowat - Carre Baudouin
Lek & Sowat - Carre Baudouin
Lek & Sowat - Carre BaudouinLek & Sowat - Carre Baudouin
Lek & Sowat - Carre Baudouin
Lek & Sowat - Carre Baudouin
Lek & Sowat - Carre BaudouinLek & Sowat - Carre Baudouin
Lek & Sowat - Carre Baudouin 
Lek & Sowat - Carre Baudouin
Lek & Sowat - Carre BaudouinLek & Sowat

In parallel the prolific duo experimented with the techniques of the silver print for Polka Magazine to reinvent the works of another duo, Yves Marchand and Romain Meffre (published in Polka # 33). They also produced a large fresco of interpellation by Emmanuel Macron from the images of twelve photographers (Issue Polka # 38)

Lek & Sowat - Polka

This slideshow requires JavaScript.

View the full set of pics here

Lek & Sowat – Circonstances Attenuantes
Pavillon Carré de Baudouin
Until 22 July
121 rue de Ménilmontant, 75020 Paris

London: Festival Iminente 2017

Festival Iminente - Mais Menos

This  Summer,  a  European  cultural  invasion  hits  the  heart  of  Brexit  Britain  as  the  very  first  UK   edition  of  Festival  Iminente  opens  at  London’s  Old  Truman  Brewery.  A  two-­‐day  festival  of   explosive  and  experimental  Portuguese  art  and  music,  Festival  Iminente  brings  the  soul  of   Lisbon  to  the  heart  of  London,  following  its  successful  debut  in  the  Oeiras  region  of  Lisbon  in   September  2016.

Curated  by  Portuguese  artist  Vhils  and  Lisbon’s  Underdogs  Gallery,  Festival  Iminente  not  only   offers  Brits  mourning  Brexit  a  chance  to  immerse  themselves  in  the  most  innovative  new   music  and  art  from  Portugal  but  also  enlists  some  of  Europe’s  most  creatively  exciting  artists   to  invade  the  capital  with  their  best  work.  The  Old  Truman  Brewery  on  Brick  Lane,  London   will  overflow  with  art  from  a  line-­‐up  of  Europe’s  hottest  visual  artists,  creating  immersive  and   in  some  cases,  political  pieces  tackling  the  state  of  Europe  and  the  current  human  condition.     Enter  through  European  Border  Control,  policed  by  Portuguese  interventionist  artist  Mais   Menos  and  prepare  to  party  in  an  alternative  European  Union  of  art,  music  and  creativity.

MAISMENOS - NuArt

Artists  include:       Add  Fuel  (POR),  AKA  Corleone  (POR),  Andre  da  Loba  (POR),  Ben  Eine  (UK),  Bordalo  II  (POR),   Conor  Harrington  (IRL),  Draw  &  Contra  (POR),  Halfstudio  (POR),  Mais  Menos  (POR),  Mar   (POR),  Pixel  Pancho  (IT),  Sick  Boy  (UK),  The  Caver  (POR),  Vhils  (POR),  Wasted  Rita  (POR)  

Festival Iminente - VhilsSee No Evil - Conor HarringtonMAISMENOS - NuArtSee No Evil - Pixel Pancho
Vhils - Nuit Blanche Paris 14See No Evil - SickboyMagic City - DresdenFestival Iminente - Wasted Rita
Eine

The  93  Feet  East  live  music  venue  gives  a  platform  to  urban  underground  musicians  from   across  Europe,  but  with  a  strong  Portuguese  flavour.  Full  line  up:     28th  July:  DJ  Glue  (PT),  DJ  Kking  Kong  (PT),  DJ  Big  (PT),  Francis  Dale  (PT),  Slow  J  (PT),  DJ  Ride   (PT),  Shaka  Lion  (PT),  Batida  (PT/AO),  DJ  Nigga  Fox  (AO)     29th  July:  DJ  Glue  (PT),  DJ  Big  (PT),  Cachupa  Psicadélica  (CV),  Chullage  (PT),  Halloween  (PT),   Scuru  Fitchadu  (CV),  Novelist  (UK),  Rita  Maia  presents  Migrant  Sounds  (PT),  LV  &  Joshua   Idehen  (UK),  DJ  Firmeza  (PT)

  Festival  Iminente  combines  the  best  new  music  with  new  art  in  an  experience  of  intense   collective  intimacy,  with  food  trucks  and  a  bar  that  only  accepts  Euros.  We’ll  see  you  there.     *****************

FESTIVAL  IMINENTE  -­‐  28  &  29  JULY,  2017   BRICK  LANE  YARD  &  93  FEET  EAST   OLD  TRUMAN  BREWERY   91  BRICK  LANE   LONDON  E1  6QL    

Tickets  on  sale  at  www.buytickets.at/iminentefestival
Afternoon  £10,  Evening  £15
www.festivaliminente.com