London: Marakami & Abloh Future History at Gagosian

Murakami & Abloh - Future History

Coinciding with London Fashion Week 2018, Superflat Master Japanese artist Takashi Murakami is partnering with American Creative Designer Virgil Abloh and presenting a series of collaborative works “Future History” at the Gagosian Gallery in London.

The exhibition features large-scale paintings, sculptures and an installation drawing references to signature Off-White™ motifs alongside Murakami’s iconic cast of anime characters, reflecting incisively on the signs of the current times.

Murakami & Abloh - Future HistoryMurakami & Abloh - Future HistoryMurakami & Abloh - Future History
Murakami & Abloh - Future HistoryMurakami & Abloh - Future HistoryMurakami & Abloh - Future History

Amongst the works, visitors can enjoy The sculpture Life itself (2018), a kind of architectural carapace designed by Abloh to house one of Murakami’s brightly sinister flower sculptures; a pair of paintings embellished with yellow Off-White™ branding and a spray-painted “O” as well as “HOLLOW” lettering on each one; black Flowers sculptures, and a glass house installation completely covered with black spray-paint and “LIFE ITSELF” on one side panel in white.

Murakami & Abloh - Future History
Murakami & Abloh - Future HistoryMurakami & Abloh - Future History
Murakami & Abloh - Future History

In another instance, for Glance past the future (2018), the duo transformed Gian Lorenzo Bernini’s 1623 self-portrait by superimposing Murakami’s character Mr. DOB to affect a graphic blur of pink and black.

Murakami & Abloh - Future History
Murakami & Abloh - Future HistoryMurakami & Abloh - Future History
Murakami & Abloh - Future History
Murakami & Abloh - Future HistoryMurakami & Abloh - Future History
Murakami & Abloh - Future HistoryMurakami & Abloh - Future History

View the full set of pics here

Takashi Murakami & Virgil Abloh
Future History
Until 7 April
Gagosian Gallery
17–19 Davies Street
London W1K 3DE

Toulouse: 100TAUR Massive Mural

100taur Mural

French artist 100TAUR just completed the largest mural in Toulouse, after a continuous five weeks under extreme weather conditions.

Located in the district of Minimes, the 400 sq meters mural has been commissioned by the Mairie de Toulouse, visible at the rue des Anges.

100taur Mural
100taur Mural

The mural features strange creatures and hybrid monsters, mythological references, and popular imagery, sometimes borrowed from pop-culture like Sponge Bob or Popeye but also from illustrious painters like Jheronimus Bosch and Picasso.

100taur Mural
100taur Mural
100taur Mural100taur Mural
100taur Mural

The artist ‘s signature animal, the slug, symbol of resilience, plays also a big part in the narration with multiple appearances. The painted wall is also adorned with 3D elements giving it more dimensions.

100taur Mural
100taur Mural

View the full set of pics here

London: JR ‘Giants’ at Lazinc Sacksville

JR Giants

Ted Prize winner artist JR is currently displaying a solo exhibition titled “GIANTS” at Lazinc’s new flagship gallery in Mayfair, London.

The name of the presentation directly references the artist’s ongoing GIANTS project which made its debut during the 2016 Olympic Games in Rio de Janeiro, Brazil, where he created enormous black and white prints of athletes jumping over Rio’s buildings, swimming in its ocean, and diving off its mountains like Greek titans. .

Even if pictures of the installations in situ might look good, it’s very difficult to recapture their impact.   So to give some sense of the scale of the project in the gallery space settings, the viewer has to walk underneath the massive paper head and shoulders of Sudanese high jumper Mohamed Younes Idriss, fixed to scaffolding, just to get in. 

At the same time, visitors can discover the artist’s process from start to finish with behind the scenes items like architectural plans that were created to support his large-scale installations, installation permits collaged into 3D-printed digital reliefs of the final images, and look at the artist’s digital photography techniques.

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View the full set of pics here


JR – Giants
Until 28 February 2018
Lazinc Sackville
29 Sackville St.
Mayfair, London W1S 3DX
United Kingdom

Toulouse: ICAREX-1 at the Chapelle des Carmelites

The Mairie de Toulouse and the Centre d’Art Nomade are currently presenting a monumental installation ICAREX-1 by an elusive anonymous artist at the Chapelle des Carmelites until 25 February 2018.

We were lucky to get immersed in the creative process of this secretive artist and followed through the six months building of the installation.

The challenge is to face mystery. In an era where everything is shown, detailed, revealed, the artist protects his anonymity and disappears behind his artistic creations. Always on the move and in search of absolute freedom, the artist remains voluntarily invisible and frees himself from society by changing his identity according to his artistic interventions, but leaves a sign < + + .

Prolific and multidisciplinary, the artist has invaded territories for more than 25 years through different forms and has been playing on several dimensions: the visible and the invisible, the exploration of the light and the darkness, the urban environment, the unauthorised and the institutional, the real and the virtual.

A real master of camouflage, the artist has been secretly pursuing his invasions following a precise satellite cartography: urban territories, institutions, road and motorway network, wind farms, Landart installations on land and water … These ‘Attacks’ are never the result of chance, but instead carefully chosen in a specific timed location, whether in Toulouse (known as the City of Space), Paris, Lichtenstein, Spain, Italy, Kabul , Jerusalem or virtual galaxies.

His totems of light, peaceful entities with stylized geometric forms, mythical beings of another dimension push the public to wonder, get curious, but also to start a treasure hunt to meet them. The public must look for clues, interact with others to find more information, decipher these riddles or simply open the door of the imagination and appreciate the present moment.

A politically engaged artist, his artistic creations also deal with war conflicts, as well as human migration and refugees, such as the collective exhibitions ‘Creve Hivernale’ he curated in Toulouse (covered here) on the emergency situation of refugees coming to Europe.

The historical monument of la Chapelle des Carmelites became an obvious location choice  for the installation because of its intimist dimension.

With ICAREX-1 ,the artist intervenes in echo with the environment: a monumental gilded metal arch mirrors the shape of the golden curved frame of the Annunciation painting, while the vertical golden gates remind of the golden columns of the Chapel.

A mirrored totem floating at nine meters high drops his skin  leaving ashes on the floor.

ICAREX-1 is a reference to pride, the strength and weakness of the human being, the insatiable need to go elsewhere, see otherwise, to go beyond ones current capabilities, to adapt to territories. Through the play of mirrors, the human being is confronted to himself.

The artist thereby continues his work on duality: life / death, the visible / the invisible, light / darkness, the heavenly side / the earthly side.

The chrysalis of latex evokes the process of inner metamorphosis necessary to surpass oneself. It is the death of the ego for a rebirth. The human being tends to go forward to the light, but often makes the mistake of clinging to what he already knows. Yet we must face our fears and go beyond the unknown to find the freedom to create our own life.

The presence of a special warning light that illuminates the installation evokes the urgency of life, the rhythm of life, such as the one from the firefighters on alert to save lives.

The mirrored totem seems to float in the air at nine meters high within open golden gates, like a passage to another universe.

The ICAREX-1 installation specially designed for the Chapelle des Carmelites subtly blends technical prowess and visual poetry. A pure moment of magic and wonder that the artist keeps secret.

Special Thanks to Francoise, Elodie, Sandra, Gat’s, Vince, Hugo, Michel, Manuel, Anne and the Chapell team,  the climbing men and all the support team that made this happen.

ICAREX-1
until 25 February 2018
Chapelle des Carmelites
1 rue Perigord
31000 Toulouse

Toulouse: Miroirs Urbains

Miroirs Urbains

Curated by Bob Jeudy, Co-founder of the “M.U.R” in Paris and Ines Desquines, the exhibition ‘Miroirs Urbains’ opened in Toulouse at the Galerie Concha de Nazelle, featuring 30 works 2mX1m by 7 Urban artists, as well a selection of customised pink bricks from famous pink city re-visited by the artists.
The exhibition presents different generations of street art and graffiti and transposes the urban mirrors that you can meet daily in the streets of the pink city.

Participating artists include 78 Years old French spray paint pioneer Gérard Zlotykamien aka ZLOTY who painted figures from Hiroshima victims, as well as BAULT, CHANOIR, DER, SIKER, MONKEYBIRD CREW, HAZUL.

At the same time, a skate board exhibition is being displayed in support of the association Roule Petit Ugandais, the boards, mostly painted by Toulouse artists, which is also auctioned on the net (Catawiki), with the funds going to the creation of a skatepark and school classes in August 2018 in Mongolia.

With SismikAzot : Miadana : Sherio : Superstop: Tinho : Fanny Hall: Scred: Mysterious: Jhano: Remio: Xerou: Veks van Hillik : Azek: Romain Blvck: Nikko kko: Hookz : Futé: Alx : Lucho Morante : Padre : Korail : CF88: Barunca :
Sara Poix.

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Miroirs Urbains
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Miroirs Urbains
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View the full set of pics here


Miroirs Urbains
Until 3 February
Galerie Concha de Nazelle
5 rue du Puit Vert
31000 Toulouse