Toulouse: Subcultures @ Espace Croix Baragnon – Part II

May 25, 2016 butterfly

We continue our coverage (See Part I here) on the current exhibition ‘Subcultures’ in ‘L’espace Croix Baragnon’ in Toulouse curated by David Pujol featuring 10 established and emerging artists, with their influences and distinctive style on the local and international scene: Amandine Urruty, 100TAUR (covered), A4 Putevie (covered), Mathieu Bourrillon, Nicolas Delpech, Fräneck, Herbot, Kinder K, Arnaud Loumeau and Benjamin Stoop.

Pencil drawings by Mathieu Bourillon (b.1976) invite the viewers into the subconscious mind and our pulsions. Each artwork has its own narrative and invitation to dive into an enigmatic universe where black and white figures are floating surrounded by a magical landscape.

Also using pencils, Amandine Urruty (b.1982) depicts a monochrome surrealist universe mixing antique toys and medieval bestiaries, Dutch landscapes with Little Ponies and Muppet Show characters, a little bit of spicy sausages and slimy monsters.

Nicolas Delpech (b.1978) and Benjamin Stoop (b.1980) from the Atelier 2000 play with geometric shapes, letters, collage and patterns as well as light and neon installations to describe parallel universes.

Subcultures - Toulouse

Herbot (b.1968) aka Rene Apallec is a collage virtuoso, using his magic scissors and a juxtaposition of images to create a surrealist universe where his characters experience an unexpected twist.

Subcultures - Toulouse

View the full set of pics here

‘Subcultures’
Until 18 June 2016
Espace Croix-Baragnon
24 rue Croix-Baragnon
31000 Toulouse (FR)

Berlin

Berlin: Urban Nation Museum for Urban Contemporary Art

May 24, 2016 butterfly

MARKUS TERBOVEN (GEWOBAG), THOMAS WILLEMEIT (GRAFT), YASHA YOUNG (URBAN NATION), TIM RENNER (UNDERSECRETARY OF STATE FOR CULTURAL AFFAIRS) HENDRIK JELLEMA (BERLINER LEBEN) (Small)

Director Yasha Young has officially revealed the start of building work on the future URBAN NATION MUSEUM FOR URBAN CONTEMPORARY ART, a project that will enrich both Berlin’s diverse cultural landscape and the international art scene. In the coming months, a globally unique new centre for exhibitions, research and exchange focussed on one of the most important art forms of the 21st century will emerge.

Berlin’s secretary for cultural affairs, Tim Renner, was on hand to congratulate the initiators of this ambitious plan on behalf of the city government.

Since 2013 URBAN NATION has been working on building the first independent and non-commercial home for urban contemporary art. With more than 200 artists, URBAN NATION is already turning Berlin into a huge outdoor Museum ( Check our previous coverage of projects M).

In mid 2017 the vision is finally getting reality. The URBAN NATION MUSEUM FOR URBAN CONTEMPORARY ART will offer an independent room for debates, research, interdisciplinary projects and creative exchanges.

Based on the motto “Connect. Create. Care.”, the museum, directed by Yasha Young and co-funded by the LOTTO-Stiftung Berlin (LOTTO Foundation) in Bülowstrasse 7 Berlin-Schöneberg, will host the growing and already unique URBAN NATION collection at the venue. Furthermore, the museum will be home to the unique book collection of legendary photo-journalist Martha Cooper: her pictures document the creation and development of urban art over the last decades, right up to today.

TIM RENNER (UNDERSECRETARY OF STATE FOR CULTURAL AFFAIRS), MARKUS TERBOVEN(GEWOBAG),YASHA YOUNG(URBAN NATION) THOMAS WILLEMEIT(GRAFT), HENDRIK JELLEMA (BERLINER LEBEN) (Small)

Tim Renner, secretary for culture of the city of Berlin, Markus Terboven, board member of Gewobag, Yasha Young, Director URBAN NATION, Thomas Willemeit, Founding Partner GRAFT, Hendrik Jellema, chairman of the board of “Berliner Leben”. (left to right) © URBAN NATION

Check out a virtual visit of the upcoming URBAN NATION MUSEUM FOR URBAN CONTEMPORARY ART

London, Shows

London: Yoshitomo Nara @ Stephen Friedman

May 23, 2016 butterfly

Following recent solo exhibitions at Yokohama Museum of Art, Japan; Asia Society Museum, New York; Asia Society Hong Kong Center and Reykjavik Art Museum, Iceland, Japanese artist, Yoshitomo Nara is returning to the Stephen Friedman Gallery in London for a fourth exhibition of new works .

This show features new paintings on canvas, paintings on cotton mounted wood panel and the largest collection of new drawings on paper.

Adolescent characters and animals are depicted with nuanced considerations of alienation, anger and curiosity. Juxtaposed with slogans and often salty language, they are at once cheeky, vulnerable and threatening.

Yoshitomo Nara @ Stephen Friedmann

Yoshitomo Nara mentions “This solo exhibition is comprised of ‘paintings’ (on canvas), ‘billboard paintings’ (patched cotton mounted on wood panel) and ‘drawings’ (on paper). These new paintings on canvas are more painterly than other works I have shown previously. They are marked by a conscious use of colour and subtle layering, which has become important in my recent practice. In contrast to my work on canvas, I originally called the paintings on wood panel ‘billboard paintings’, due to their catchy and iconic imagery and the use of flat planes of colour that is reminiscent of the style often used on billboards. Although the ‘billboard paintings’ in this show are still evocative of this style, these ones which are rendered on patchwork cotton are much more painterly, with many layers of colour.

Drawing is natural to me. Without being conscious of the eventual audience, I usually follow my emotions and just draw. For this show I am exhibiting a series of drawings that I think of as being mental images without colour. It is probably the first time that I have shown so many of these drawings all at once. I work in sculpture and installation, but for this exhibition I became very conscious of showing myself as a painter.”

Yoshitomo Nara @ Stephen Friedmann

In parallel to the show Yoshimoto Nara created a large scale billboard, visible from the Waterloo bridge, as part of a new project called the Waterloo Billboard Commissions by the Hayward Gallery where Nara exhibited back in 2009. The humorous, manga-influenced piece, titled Marching on the Butterbur Leaf, depicts a young girl playfully encouraging passers-by to fall in step.

Yoshitomo Nara @ Stephen Friedmann

View the full set of pics here

Yoshimoto Nara – New Works
Until 1st June 2016
Stephen Friedman Gallery
London

Art Fair, London

London: ART16 Highlights

May 21, 2016 butterfly

ART16 London

The global art fair Art16 returns to Olympia London from 20 – 22 May 2016, showcasing work from more than 100 galleries worldwide and exhibit contemporary art from around 30 countries.

It will be the fourth show since the original ART HK, founded by Tim Etchells and Sandy Angus. As with previous years, the fair strongly promotes work from emerging talent and galleries with two programmes Emerge and London First, curated by Jonathan Watkins

From Retna, Space Invader, Cleon Peterson to Damien Hirst, Pearl Lam and Katrin Fridriks, discover the highlights from this year’s fair.

Art16 London

ART16 until 22 May 2016
Olympia, Hammersmith Road
London W14 8UX

London, Shows

London: Jeff Koons NOW

May 20, 2016 butterfly 1 Comment

Damien Hirst’s Newport Street Gallery just opened ‘Now’, a solo exhibition of work by American artist Jeff Koons (b.1955). While the Parisian institution Centre Pompidou dedicated a major retrospective to the the artist in 2015 in Paris (covered), ‘Now’ is the first major UK exhibition to be devoted to Koons since the Serpentine Gallery’s 2009 show, ‘Jeff Koons: Popeye Series’.

Spanning thirty-five years of the artist’s career, the exhibition features thirty-six paintings, works on paper and sculptures dating from 1979 to 2014. Drawn from Damien Hirst’s collection, a number of these works have never before been shown in the UK.

The Gallery 1 features early works from Jeff Koons like the Inflatable Flowers (1979) , the NEW (1980 -1986) with vacuum cleaners sculptures.

The Gallery 2 features a shiny giant Balloon Monkey (2006-2013) in a mirror polished stainless steel with transparent blue colour coating. ‘ It constantly reminds viewers of their existence, it’s all about you. When you leave the room, it’s gone.’ The monumental sculpture evoques of sensuality with its seductive polished finish and phallic tail.

The next gallery hosts some of the erotic works from “Made in Heaven’ , from monumental sculpture of a Bowl with Eggs to large portraits of Jeff Koons and his then wife Ilona Staller.

The Gallery 4 contains iconic works from the basketsballs floating in a glass tank (1985) to works from his series ‘ Luxury and Degradation’ with Jim Bean- JB Turner Train (1986) in stainless steel and the bust of Italian Woman (1986).

Koons 18
Jeff Koons - NOW

From the ‘Popeye’ series, inflatable pool toys that interact with ready made objects are designed to fool the eyes. Looking like vinyl, they are cast in aluminium and meticulously painted to appear exactly like the real thing.

Jeff Koons - NOW

The last gallery features Jeff Koons’s ongoing Celebration’ series from 1994 to 2014. The illusory Elephant (2003) and Titi (2004 -2009) appear to be fragile, air -filled inflatables, but are cast in heavy-weight stainless steel that mirrors the viewers. The most technically challenging work of his career Play Doh (1994-2014) faithfully reproduces (in an enormous size) a small lump of modelling clay fashioned by his son. The twenty seven individual pieces are cast in aluminium and held together with their own weight.

Jeff Koons NOW Jeff Koons - NOW