Video: Banksy – Better Out than In
When Banksy recently updated his website with new pictures featuring a stencilled couple holding mobile phones, it generated a complete frenzy.
It was located and identified in Bristol on a wooden door outside a youth club.
Within 24 hours the door was removed by Dennis Stinchcombe, the Broad Plain Boys’ Club manager, who decided to charge viewers before trying to sell it at auction in order to support his ailing club.
However the building of the youth club is council owned. So the Bristol Council then started to intervene and confiscated the artwork. The Mayor of Bristol has asked the piece to be to moved to the Bristol Museum while a battle of ownership continues.

Banksy Mobile Lovers is currently on display at the Bristol Museum until further notice…
View all pics here
This week end takes place an exhibition called Stealing Banksy featuring pieces that have been removed from the streets to be sold at auction.
The event organisers claim that “the Sincura Group do not steal art, nor do we condone any acts of wanton vandalism or theft. We have never approached anyone to remove any artwork or encouraged its removal. We do not own the pieces of art. To date we have made no financial gain from the sale of any street art.”
To view the exhibition tickets costs between £17.50 to £200 per person for corporate packages, with a portion going to Nelson Mandela Charity.
On his website, Banksy statement is clear and also tongue in cheek:
None of the artworks do have formal authentication by Banksy.
First is a trailer that was painted before the owners drove the truck to the Glastonbury Festival in 1998, and which was then auctioned in 2008 in London.
Appearing in East London in 2006, OldSkool features four pensioners dressed in hoodies and baseball caps and a boombox.
Painted in 2009 in Tottenham Green, London, the No Ball Games piece showing two children playing has been cut into a rather heavy triptych.

With Robin Barton from Bankrobber
The Boy with heart (2006) was already shown in another exhibition of street “reclaimed” artworks Banksy Please Love Me back in 2009 in London Covent Garden (covered here) . Also featured is a vandalised door from a Berlin with some rats (2003) and a board depicting a stenciled guard with a witty message “Secured by sleepy migrant workers on minimum wage” .
Banksy Sperm Alarm, placed on a Hotel in London Victoria in 2011, made the headlines when it was stolen and the thief arrested and sentenced after trying to flog it on ebay (more info here). It is now offered for sale at an estimate price of £150 000.
The Sincura Group has estimated that Banksy’s murals will sell at the following prices:
No Ball Games – estimated value is £1m
Old Skool – £750,000
Liverpool Rat – £225,000
Sperm Alarm – £150,000
Silent majority – £175,000
Girl With Balloon – £400,000
2 Rats – £200,000
Interestingly a large canvas Brace Yourself is also featured in the exhibition, but not for sale, as if to legitimate the whole show. The canvas was given to Simon Duncan for changing his initial band’s name “Exit Through the Gift Shop” to Brace Yourself so that Banksy could use it for his projects.
View the full set of pics here
The whole point of street art is placement and its ephemeral nature for the public to enjoy. It is not intented to be moved or be preserved, but evolve with the environment. By removing the Banksy street pieces, the original message is lost and definitively does not work in the settings of a chic hotel or for selected greedy investors.

To mark the third anniversay of the Syrian conflict, Banksy has reworked his iconic portrait of a girl with heart balloon, to depict a young Syrian refugee wih a head scarf.
A “global recreation” of the moving Banksy piece saw the release of red balloons en masse around the world while the stencil have been projected on major landmarks, like the Nelson Column in Trafalgar Square in London, or the Rijksmuseum in Amsterdam.
On his website the following statement reads:
“On the 6 March 2011 in the Syrian town of Daraa, fifteen children were arrested and tortured for painting anti-authoritarian graffiti. The protests that followed their detention led to an outbreak of violence across the country that would see a domestic uprising transform into a civil war displacing 9.3 million people from their homes.
#WithSyria ”.