Category Archives: London

London: Aida Wilde for disConnect Project

During during the COVID-19 pandemic,ten international artists have been invited by Schoeni Projects in collaboration with HK Walls to create site specific installations inside a Victorian house in South London for  ‘disCONNECT’. The exhibition reflects on the creative and physical constraints of the current global crisis, exploring psychological and political reactions to the crisis, as well as the role of technology as conduit between the two.

We reached out to Iranian born, London based artist Aida Wilde for more information on her installations.

Her iconic pink dotted wallpaper has gone literally viral, morphing into a Covid-19 virus shape. Slogans on the walls mention ‘99% ARE IN THIS TOGETHER’, ‘STAY THE FUCK AT HOME’ with an hug Emoji wearing a Burberry hat and a LV protective mask (a reference to luxury brands announcing that they would produce non surgical masks and protective equipment for frontline workers).

 

She transformed one of the house’s toilets as a ‘Pandemic Mausoleum’ with her signature text works on wallpaper, floor lino with slogans sharing reactions to the pandemic.

The ‘Pandemic Mausoleum’ is adorned with a site-specific wallpaper, based around a traditional 16th century Damask fabric. Patterns include Emoji’s that tells the capsule story of the pandemic (covid-19) with elements ranging from bats (which many believe was the source of the virus) to masked toilet roll hugging head, palm trees, joggers, rainbows, a house in lockdown, post boxes and not forgetting clapping hands ‘for our heroes”. The lino floor has been covered with ‘FEAR LESS / LESS FEAR’

Surrounded by everyday objects which have become totemic of the contemporary climate – toilet roll tubes donated by neighbours, discarded objects from “lock-down” spring cleaning and bottles of bleach sourced locally from the independent manufacturer Zamo – the works are presented alongside hazard tape, demarcating ‘socially distanced’ two metre intervals.

Aida Wilde also created specific paraphernalia: ‘Covid 19 Germ Warfare’ Tshirt and face masks are an ode to Keith Haring’s 1987 “Aids Is Political- Biological Social (Germ) Warfare” slogans. Various comparisons/similarities can be made between the two epidemics in terms of the hysteria attached to it, who and what is targeted (specific demographics/ race/ gender) eg. Black Men are 4 times more likely to get Covid 19 and more men have contracted the virus than women. The T-shirt is displayed inside a vacuumed sealed bag to further enhance the message of being “Germ Free- Dust Free” that is all illuminated by UV lights to further represent the annihilation of even more germs.

Playing with UV light, the viewers can read ‘The powerful are powerless against the invisible’ .  Close to the T shirt display, a series of Baskeball caps ‘Make the world covid free again’, are inspired by D. Trump’s infamous red ‘ Make American Great Again’ and his announcement that wearing a hat could protect from the virus.

Curtain lace banners ‘Notes From A Phantom’ display writings/poems and call to action that occurred during the UK lockdown in collaboration with Minneapolis based artist Ego Ahaiwe Sowinski. The two pieces with their gray texts are screen printed onto black lace, reminiscent of traditional face coverings in mourning and are a reference to the unlawful murder of George Floyd in the US and the Black Lives Matter protests that took place subsequently after the killing. They speak about the importance and the power of Stillness and Silence from the maddening world around them.

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Aida Wilde also transformed a notice road sign to reflect the ‘Changed priorities Ahead’ since the lockdown has slowed a lot of people down and forced them to reassess their priorities, from the daily exercise to observing nature.

Images courtesy of the artist

DisConnect is on view until 24 August 2020. The exhibition is also accessible to online audiences, where each work is further activated through an accompanying programme of digital initiatives, including downloadable art works, online videos, virtual tours and an Instagram Live interview series.

Full list of participating artists include : Adam Neate (UK); Aida Wilde (Iran); Alex Fakso (Italy); Mr.Cenz (UK); David Bray (UK), Herakut (Germany); Icy and Sot (Iran); Isaac Cordal (Spain); Vhils (Portugal); ZOER (Italy).

Book free tickets to reserve your time slots here

 

 

Covid’Art: Banksy’s intervention on the London tube

Following recent announcements that protective masks should be strongly recommended or mandatory when in public transport. Elusive artist is spreading his message to wear a mask in a humoristic way. He recently shared a video on his social account showing his latest intervention on the London underground.

Dressed in protective gear, he sprayed his signature rats in funny situations and playing around with masks. Lastly he sprayed his Banksy tag inside the carriage.

Images courtesy of Banksy. View the video here

London: Watch this space @ Lazinc

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Remi Rough – Watch this space

Since November the ‘Watch This Space‘ project has transformed the Lazinc gallery in London into an open studio where over 25 artists share their processes and create site-specific works in front of the visitor’s eyes. Curated by Magda Danysz ,this ephemeral project is being played out over both floors of the gallery. The phrase ‘watch this space’ denotes a period of transition and impermanence, and reflects Lazinc’s own phase of transformation.

This ongoing project showcases the creative processes of a diverse range of artists all entering into a unique dialogue with one another.

Featured Artists include 1010 (Poland), Andre (France) Tarek Benaoum (Lebanon), Craig Costello (USA), Faith XLVII (SA), Icy & Sot (Iran), Jan Kalab (Czech Republic), Dan Lam (Vietnam), Ludo (France),Miaz Brothers (Spain), Charles Petillon (France), Sebastien Preschoux (France),Remi Rough (UK), Okuda San Miguel (Spain), Alex Senna (Brazil), Gary Stranger (UK), Slinkachu (UK), Jan Vormann (The Netherlands), Vhils (Portugal), Nick Walker (UK),YZ (France)

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By creating new works live in the gallery, the artists highlight the ephemeral nature of contemporary life.

View the full set of pics here

On view until 7 March 2020

Watch this space
Lazinc Gallery
Sacksville, London

London: Stormzy portrait goes on display at the National Portrait Gallery

The cover art for Stormzy’s upcoming album has been hung in the National Portrait Gallery in London.

The photographic portrait by Mark Mattock is on display in the gallery from December 5 and displays the south London artist holding the Banksy stab-proof vest from his Glastonbury performance with the letters H.I.T.H serving as a crown.

H.I.T.H. stands for Heavy Is The Head, the title of his forthcoming album to be released on 13 December.

https://twitter.com/i/status/1202564073214414848

The stab vest was also visible recently at the Gross Domestic Product pop up shop (featured here) designed by Banksy in Croydon, birth city of Stormzy.

Gross Domestic Product TM Pop up Store

Stormzy at Glastonbury Festival 2019

The Gallery director Nicholas Cullinan commented “Stormzy has undoubtedly had a significant influence on British culture today, both through his music and work with minority groups and young people, and we hope our visitors will enjoy the juxtaposition of this new work with historic paintings of influential figures from the Victorian era, from politicians, royalty and radicals to artists, sporting heroes and singers.”

 

Banksy’s online store: ‘Why does art matter?’

GDP homepage

Two weeks ago Banksy opened a homewares store called Gross Domestic Product TM in Croydon, South London ( see our coverage here ). He made it clear that interested buyers weren’t in for a regular shopping experience and while the store attracted crowds, it physically did not open and it was not possible to purchase anything. Now that the pop up display shop has closed, the Gross Domestic Product TM official website reveals the homewares brand from BanksyTM.

In true subversive and irreverent Banksy style, the English artist continues to offer an unconventional retail experience where fans can, not purchase, but apply to purchase some of the pieces that were displayed in the Croydon pop-up.

The Gross Domestic Product online store offers merchandise with prices starting at £10 ($13) for a Banksy branded aerosol of paint to £850 for the stab vest as worn by Stormzy at the Glastonbury Festival in June.

Welcome mat

A “Banksy Welcome Mat,”  is “hand stitched using the fabric from life vests abandoned on the beaches of the Mediterranean,” the website says. The product is produced in collaboration with the organization Love Welcomes, which works with refugee women to produce mats from “life vests and blankets worn by frightened, exhausted Syrians as they wash up on European shores” and directs proceeds back to the refugee weavers.

The site also warns customers that they may have a “disappointing retail experience,” explaining, “Everything is produced by a handful of people using recycled material wherever possible in a workplace culture of daytime drinking. So there isn’t loads of it and it’s not all ready to ship straight away.”

Each Banksy’s creations will be sold to the most deserving bidder, as determined by his good will. There are some strict specific rules.

The website is clear from the outset that the store doesn’t work on a “first come, first serve” basis. Until October 28, shoppers can browse the items and sign up to a list. Each buyer can only sign up for one item—so choose wisely.

Those who want a Banksy original must answer the question ‘Why does art matter?’, with the ‘Why’ crossed out, in 50 words or less, and supply their contact information.

The reply to this question will be vital—if demand spikes, they will be used to help evaluate who gets to make the purchase. In fact, buyers are asked to make their answers “as amusing, informative or enlightening as possible.”

Applications will be randomly selected and then narrowed down. According to the website, answers will be assessed by an impartial and independent judge, namely a professional stand-up comedian. Winning registrants will receive word that they have won the option to purchase the selected item.

The original products, which will be awarded a certification of authenticity on the second anniversary of the purchase, are priced far below market value.

In fact, Gross Domestic Product isn’t aimed at the high-end collector. A disclaimer on the store’s website actually states that wealthy art collectors should “refrain from registering at this time,” in order to give lower-income art lovers a chance at this piece of history.

It will be interesting to see if Banksy’s safeguards keep these items out of the hands of people looking to flip the work and make a profit and, instead, into the homes of those who could never afford a $12 million painting.

So to enter the competition to purchase an item from Banksy’s online store, please provide your answer to the question “Why does art matter?”  on www.GrossDomesticProduct.com by 28 October 2019

Photo credit: Gross Domestic Product website