Category Archives: London

Covid’Art: Banksy’s intervention on the London tube

Following recent announcements that protective masks should be strongly recommended or mandatory when in public transport. Elusive artist is spreading his message to wear a mask in a humoristic way. He recently shared a video on his social account showing his latest intervention on the London underground.

Dressed in protective gear, he sprayed his signature rats in funny situations and playing around with masks. Lastly he sprayed his Banksy tag inside the carriage.

Images courtesy of Banksy. View the video here

London: Watch this space @ Lazinc

Watch this space 19
Remi Rough – Watch this space

Since November the ‘Watch This Space‘ project has transformed the Lazinc gallery in London into an open studio where over 25 artists share their processes and create site-specific works in front of the visitor’s eyes. Curated by Magda Danysz ,this ephemeral project is being played out over both floors of the gallery. The phrase ‘watch this space’ denotes a period of transition and impermanence, and reflects Lazinc’s own phase of transformation.

This ongoing project showcases the creative processes of a diverse range of artists all entering into a unique dialogue with one another.

Featured Artists include 1010 (Poland), Andre (France) Tarek Benaoum (Lebanon), Craig Costello (USA), Faith XLVII (SA), Icy & Sot (Iran), Jan Kalab (Czech Republic), Dan Lam (Vietnam), Ludo (France),Miaz Brothers (Spain), Charles Petillon (France), Sebastien Preschoux (France),Remi Rough (UK), Okuda San Miguel (Spain), Alex Senna (Brazil), Gary Stranger (UK), Slinkachu (UK), Jan Vormann (The Netherlands), Vhils (Portugal), Nick Walker (UK),YZ (France)

Watch this space 04Watch this space 12Watch this space 06Watch this space 16Watch this space 14Watch this space 15
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By creating new works live in the gallery, the artists highlight the ephemeral nature of contemporary life.

View the full set of pics here

On view until 7 March 2020

Watch this space
Lazinc Gallery
Sacksville, London

London: Stormzy portrait goes on display at the National Portrait Gallery

The cover art for Stormzy’s upcoming album has been hung in the National Portrait Gallery in London.

The photographic portrait by Mark Mattock is on display in the gallery from December 5 and displays the south London artist holding the Banksy stab-proof vest from his Glastonbury performance with the letters H.I.T.H serving as a crown.

H.I.T.H. stands for Heavy Is The Head, the title of his forthcoming album to be released on 13 December.

https://twitter.com/i/status/1202564073214414848

The stab vest was also visible recently at the Gross Domestic Product pop up shop (featured here) designed by Banksy in Croydon, birth city of Stormzy.

Gross Domestic Product TM Pop up Store

Stormzy at Glastonbury Festival 2019

The Gallery director Nicholas Cullinan commented “Stormzy has undoubtedly had a significant influence on British culture today, both through his music and work with minority groups and young people, and we hope our visitors will enjoy the juxtaposition of this new work with historic paintings of influential figures from the Victorian era, from politicians, royalty and radicals to artists, sporting heroes and singers.”

 

Banksy’s online store: ‘Why does art matter?’

GDP homepage

Two weeks ago Banksy opened a homewares store called Gross Domestic Product TM in Croydon, South London ( see our coverage here ). He made it clear that interested buyers weren’t in for a regular shopping experience and while the store attracted crowds, it physically did not open and it was not possible to purchase anything. Now that the pop up display shop has closed, the Gross Domestic Product TM official website reveals the homewares brand from BanksyTM.

In true subversive and irreverent Banksy style, the English artist continues to offer an unconventional retail experience where fans can, not purchase, but apply to purchase some of the pieces that were displayed in the Croydon pop-up.

The Gross Domestic Product online store offers merchandise with prices starting at £10 ($13) for a Banksy branded aerosol of paint to £850 for the stab vest as worn by Stormzy at the Glastonbury Festival in June.

Welcome mat

A “Banksy Welcome Mat,”  is “hand stitched using the fabric from life vests abandoned on the beaches of the Mediterranean,” the website says. The product is produced in collaboration with the organization Love Welcomes, which works with refugee women to produce mats from “life vests and blankets worn by frightened, exhausted Syrians as they wash up on European shores” and directs proceeds back to the refugee weavers.

The site also warns customers that they may have a “disappointing retail experience,” explaining, “Everything is produced by a handful of people using recycled material wherever possible in a workplace culture of daytime drinking. So there isn’t loads of it and it’s not all ready to ship straight away.”

Each Banksy’s creations will be sold to the most deserving bidder, as determined by his good will. There are some strict specific rules.

The website is clear from the outset that the store doesn’t work on a “first come, first serve” basis. Until October 28, shoppers can browse the items and sign up to a list. Each buyer can only sign up for one item—so choose wisely.

Those who want a Banksy original must answer the question ‘Why does art matter?’, with the ‘Why’ crossed out, in 50 words or less, and supply their contact information.

The reply to this question will be vital—if demand spikes, they will be used to help evaluate who gets to make the purchase. In fact, buyers are asked to make their answers “as amusing, informative or enlightening as possible.”

Applications will be randomly selected and then narrowed down. According to the website, answers will be assessed by an impartial and independent judge, namely a professional stand-up comedian. Winning registrants will receive word that they have won the option to purchase the selected item.

The original products, which will be awarded a certification of authenticity on the second anniversary of the purchase, are priced far below market value.

In fact, Gross Domestic Product isn’t aimed at the high-end collector. A disclaimer on the store’s website actually states that wealthy art collectors should “refrain from registering at this time,” in order to give lower-income art lovers a chance at this piece of history.

It will be interesting to see if Banksy’s safeguards keep these items out of the hands of people looking to flip the work and make a profit and, instead, into the homes of those who could never afford a $12 million painting.

So to enter the competition to purchase an item from Banksy’s online store, please provide your answer to the question “Why does art matter?”  on www.GrossDomesticProduct.com by 28 October 2019

Photo credit: Gross Domestic Product website

London: Kaws – Black Out at Skarstedt

KAWS just opened a new solo exhibition called ‘BLACK OUT’ at Skarstedt in London. Featuring a series of ten new abstract paintings and two new sculptures. BLACKOUT coincides with KAWS: COMPANIONSHIP IN THE AGE OF LONELINESS at the National Gallery of Victoria, Melbourne, which follows a further solo presentation, ALONE AGAIN, at the Museum of Contemporary Art Detroit. This exhibition continues to further explore the emotional content of the artist’s work.

While retaining his colourful acrylic palette, the abstract compositions within his paintings contain figurative elements that suggest traps, pathways, bridges and boundaries. This imagery alludes to the artist’s underlying concern about the divisions within and across societies. He reminds us that despite living in a time of connectivity and constant communication we are separated by the toxic nature of current political and public discourse that also permeates social media.

With the sculptures KAWS uses two of his characters to convey opposing human attitudes.

In SHARE, the Companion is secure and looks outward, holding but not attached to the toy in its hand. KAWS’ figures, as ever, poignantly reveal to us the human condition in the contemporary world and also offer an alternative way of being.

In the sculpture TAKE, the BFF holds a child Companion defensively, pulling it back in a gesture of mistrust as if to prevent someone else from touching it; the child cowed looks to the ground, the fear is transferred.

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KAWS – BLACK OUT
Skarstedt

Until 9 November 2019