Category Archives: London

London: Kaws – Black Out at Skarstedt

KAWS just opened a new solo exhibition called ‘BLACK OUT’ at Skarstedt in London. Featuring a series of ten new abstract paintings and two new sculptures. BLACKOUT coincides with KAWS: COMPANIONSHIP IN THE AGE OF LONELINESS at the National Gallery of Victoria, Melbourne, which follows a further solo presentation, ALONE AGAIN, at the Museum of Contemporary Art Detroit. This exhibition continues to further explore the emotional content of the artist’s work.

While retaining his colourful acrylic palette, the abstract compositions within his paintings contain figurative elements that suggest traps, pathways, bridges and boundaries. This imagery alludes to the artist’s underlying concern about the divisions within and across societies. He reminds us that despite living in a time of connectivity and constant communication we are separated by the toxic nature of current political and public discourse that also permeates social media.

With the sculptures KAWS uses two of his characters to convey opposing human attitudes.

In SHARE, the Companion is secure and looks outward, holding but not attached to the toy in its hand. KAWS’ figures, as ever, poignantly reveal to us the human condition in the contemporary world and also offer an alternative way of being.

In the sculpture TAKE, the BFF holds a child Companion defensively, pulling it back in a gesture of mistrust as if to prevent someone else from touching it; the child cowed looks to the ground, the fear is transferred.

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KAWS – BLACK OUT
Skarstedt

Until 9 November 2019

London: Banksy – Gross Domestic Product Installation

During the busy Frieze Art week 2019, elusive artist Banksy has opened a new pop up store overnight in Croydon, South London called Gross Domestic Product.
In a statement Banksy mentions it follows a legal dispute over Banksy’s trademark.
“[It is] possibly the least poetic reason to ever hold an art show,” Banksy says.


@Banksy

The homeware store – essentially a window display that will never actually open—is selling a range of items, from mugs, spray cans, prints, t-shirts to editions of the stab vest worn by the artist Stormzy at Glastonbury, welcome mats hand-stitched by women in detainment camps in Greece. The objects have all been installed in a series of window displays along with often-reproduced paintings such as Banksy’s Flower Thrower.


Prices start at £10, but the merchandise range will only be available to buy online after the shop shuts in two weeks. Until then, collectors will have to settle for window shopping. Proceeds from the merchandise will go to purchase a boat for the refugees to replace the one that was confiscated by Italian authorities.

Banksy says an unnamed greeting card company is contesting his trademark rights to his own name and imagery, “so they can legally use it to sell their fake Banksy merchandise”. He adds: “I think they’re banking on the idea I won’t show up in court to defend myself.”
Describing Banksy as “the most infringed artist alive”, DACS chairman and media lawyer Mark Stephens says: “What you have here is frankly ludicrous litigation, but the law clearly states that if the trademark holder is not using the mark then it should be handed to someone who will.” His solution? Create a merchandise range and open a shop.
Everything in the store “has been created specifically to fulfil a particular trademark category under EU law”, Banksy says. “I had the legal sheet pinned up in the studio like a muse.” He adds: “John Lennon said: ‘I’m an artist, give me a tuba and I’ll get something out of it.’ I feel the same way about a trademark dispute.”

“If Banksy wants to keep enforcing any of his trademarks in courts around the world, and avoid the risk of them being cancelled for lack of use, he will need to show judges stronger evidence of his brands being used in the market,” Enrico Bonadio, a senior lecturer in intellectual property law at City University of London, noted at the time. “This probably means he needs to start regularly producing and selling his own branded merchandise through a specialised commercial vehicle. The problem is that Banksy is a contradictory character. I wouldn’t be surprised if he started a proper business plan, while also continuing to send out his anti-consumerist message,” he says.

Banksy stresses that, despite trying to defend his rights in this particular case, he hasn’t changed his position on copyright. “I still encourage anyone to copy, borrow, steal and amend my art for amusement, academic research or activism. I just don’t want them to get sole custody of my name,” he says.

 

 

London: Banksy back to the Royal Academy

Banksy created a new artwork for upcoming The Royal Academy Summer Exhibition that will open to the public on 10 June in London.

Following last year’s participation with ‘Vote to Love’ (covered here) , Banksy created another politically charged artwork about Europe and Brexit.

The artwork features a closed shutter with a ‘Customs’ sign for arrival from the EU.

Looking at the bottom of the shutter, a cheeky stencilled rat stole the T of the ‘KEEP OUT’ sign to use it as a hammer over the padlock that keeps the borders closed.

Above Pics by Tagfinearts & Peter Jones

Banksy - Vote to Love

Vote Love – Banksy’s artwork for the Royal Academy Summer Exhibition 2018

 

London : el Seed – Tabula Rasa

el seed 01

Tunisian-French contemporary artist, eL Seed has just opened his first UK exhibition entitled Tabula Rasa at Lazinc in London. We documented his previous visit to the UK capital in 2015 ( see here), where he painted a mural with this signature style: an adaptation of traditional Arabic calligraphy.

El Seed - London

Within his intricate compositions, el Seed emphasises the curves and loops of the script removing a layer of legilibility and adding mystery to the meaning behind the words he chooses.

eL Seed commented: “I truly believe that art is a way to open dialogue. I like to think that my artwork can cut through the boundaries that we place between ourselves; whether physical, cultural or linguistic. My exhibition at Lazinc represents a new style of painting, where I am attempting to break down my thought process into layers. It also asks the audience to question the way they think and how much they have been affected by assumption or misconception.”

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For this exhibition, the artist has developed on his process, stripping down the works, in an effort to access his own ‘tabula rasa’.
The concept of ‘tabula rasa’, pioneered by 17th Century philosopher, John Locke, argues that at birth the human mind is a complete, but receptive blank slate, upon which experience imprints knowledge. In relation to his canvases, eL Seed has taken the idea of the tabula rasa as a starting point, with the aim to alter deep-seated preconceptions that are commonly held about the Arabic script and culture.

el seed 02

In contrast to eL Seed’s usually polished and perfected canvases, the works at Lazinc appear with an unfinished aesthetic. The surface calligraphy is ripped and torn to reveal phrases and imagery below, which materialise slowly and differently with each viewing.
The layering of words and ideas offer an insight into the thought process of the artist.

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Guests are invited to reconsider all that they previously thought about Arabic and immerse themselves in the calligraphic experience.

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View the full set of pics here

elSeed – Tabula Rasa
Until 9 march 2019
Lazinc Sacksville
29 Sackville Street
London W1S 3DX

Banksy News

Three major headlines related to Banksy

London: Banksy enters the permanent collection of the British Museum

The British Museum in London has acquired its first work by the anonymous artist, a fake £10 banknote depicting Lady Diana, Princess of Wales, which will join its collection of coins, medals and other currency.
The work, entitled Di-faced Tenner, was one of thousands of copies produced by the artist in 2004 as part of a planned art performance. Unlike ‘Peckham Rock’, a fake cave painting on concrete , which was part of a 2005 stunt and loaned again to the museum for a recent exhibition on dissent and protest in 2018 (see our coverage here), the note has been donated to the museum by the artist’s representative Pest Control.

It is the only official banknote ever released by Banksy. Any other kind of currency note are simply NOT by the artist, so fans and buyers beware. And the Banksy Di-Face Tenner indicates on its back ‘Trust No One’.

Palestine: Banksy creates a new artwork at the Walled Off Hotel

Two years after the official opening his artivist hotel in Bethlehem, Banksy just revealed a new artwork inside the Walled Off Hotel.

Conveying a message of Love and Peace, the artwork depicts a little veiled girl playing with coloured 3d block shapes looking at a giant heart shaped hole in a concrete wall which shows a neon light blue sky. Looking closer the 3D block shapes on the floor are iconographic symbols of all monotheist religions, from the cross to the start and crescent. Messages of peace are graffitied on the wall while Banksy’s signature is engraved in the concrete.

Paris: Banksy’s tribute to Bataclan’s victims is stolen

Sadly less than seven months after Banksy painted his tribute on the fire-exit door of the Bataclan theatre, where Islamist militants killed 90 people three years ago, the artwork has been stolen, the venue has said.
The work, one of a series of murals during Banksy’s invasion of the French capital last June, showed a veiled female figure in a mournful pose. ( Check our initial coverage about the artwork  here)
We are today filled with a deep sense of indignation. The work of Banksy, a symbol of contemplation belonging to all – residents, Parisians and citizens of the world – has been taken from us,” the Bataclan said in a Twitter post. A police investigation continues.

Stay tuned for further updates