London: Kaws – Black Out at Skarstedt

KAWS just opened a new solo exhibition called ‘BLACK OUT’ at Skarstedt in London. Featuring a series of ten new abstract paintings and two new sculptures. BLACKOUT coincides with KAWS: COMPANIONSHIP IN THE AGE OF LONELINESS at the National Gallery of Victoria, Melbourne, which follows a further solo presentation, ALONE AGAIN, at the Museum of Contemporary Art Detroit. This exhibition continues to further explore the emotional content of the artist’s work.

While retaining his colourful acrylic palette, the abstract compositions within his paintings contain figurative elements that suggest traps, pathways, bridges and boundaries. This imagery alludes to the artist’s underlying concern about the divisions within and across societies. He reminds us that despite living in a time of connectivity and constant communication we are separated by the toxic nature of current political and public discourse that also permeates social media.

With the sculptures KAWS uses two of his characters to convey opposing human attitudes.

In SHARE, the Companion is secure and looks outward, holding but not attached to the toy in its hand. KAWS’ figures, as ever, poignantly reveal to us the human condition in the contemporary world and also offer an alternative way of being.

In the sculpture TAKE, the BFF holds a child Companion defensively, pulling it back in a gesture of mistrust as if to prevent someone else from touching it; the child cowed looks to the ground, the fear is transferred.

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KAWS – BLACK OUT
Skarstedt

Until 9 November 2019

London: Banksy – Gross Domestic Product Installation

During the busy Frieze Art week 2019, elusive artist Banksy has opened a new pop up store overnight in Croydon, South London called Gross Domestic Product.
In a statement Banksy mentions it follows a legal dispute over Banksy’s trademark.
“[It is] possibly the least poetic reason to ever hold an art show,” Banksy says.


@Banksy

The homeware store – essentially a window display that will never actually open—is selling a range of items, from mugs, spray cans, prints, t-shirts to editions of the stab vest worn by the artist Stormzy at Glastonbury, welcome mats hand-stitched by women in detainment camps in Greece. The objects have all been installed in a series of window displays along with often-reproduced paintings such as Banksy’s Flower Thrower.


Prices start at £10, but the merchandise range will only be available to buy online after the shop shuts in two weeks. Until then, collectors will have to settle for window shopping. Proceeds from the merchandise will go to purchase a boat for the refugees to replace the one that was confiscated by Italian authorities.

Banksy says an unnamed greeting card company is contesting his trademark rights to his own name and imagery, “so they can legally use it to sell their fake Banksy merchandise”. He adds: “I think they’re banking on the idea I won’t show up in court to defend myself.”
Describing Banksy as “the most infringed artist alive”, DACS chairman and media lawyer Mark Stephens says: “What you have here is frankly ludicrous litigation, but the law clearly states that if the trademark holder is not using the mark then it should be handed to someone who will.” His solution? Create a merchandise range and open a shop.
Everything in the store “has been created specifically to fulfil a particular trademark category under EU law”, Banksy says. “I had the legal sheet pinned up in the studio like a muse.” He adds: “John Lennon said: ‘I’m an artist, give me a tuba and I’ll get something out of it.’ I feel the same way about a trademark dispute.”

“If Banksy wants to keep enforcing any of his trademarks in courts around the world, and avoid the risk of them being cancelled for lack of use, he will need to show judges stronger evidence of his brands being used in the market,” Enrico Bonadio, a senior lecturer in intellectual property law at City University of London, noted at the time. “This probably means he needs to start regularly producing and selling his own branded merchandise through a specialised commercial vehicle. The problem is that Banksy is a contradictory character. I wouldn’t be surprised if he started a proper business plan, while also continuing to send out his anti-consumerist message,” he says.

Banksy stresses that, despite trying to defend his rights in this particular case, he hasn’t changed his position on copyright. “I still encourage anyone to copy, borrow, steal and amend my art for amusement, academic research or activism. I just don’t want them to get sole custody of my name,” he says.

 

 

Paris: District 13 Art Fair 2019

District 13 Art Fair 2019

The second edition of District 13 – International Art Fair returns to Drouot auction house in Paris from 25 to 29 September 2019.
Featuring 17 international galleries, the District 13 – International Art Fair presents a global landscape of emerging and established artists from the street art and contemporary art scene.

In addition to an eclectic mix of international exhibitors, the fair is bringing together a comprehensive side program including book releases ( D*Face Monograph for example), print releases, conferences and more.

Here are a few highlights from the second edition

District 13 Art Fair 2019District 13 Art Fair 2019
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District 13 Art Fair
25-29 September 2019
Drouot Paris

For tickets and programme please visit
district13artfair.com

Toulouse: Rose Beton Biennale 2019

Rose Beton 2019 - MOMO
MOMO

The third edition of The ROSE BETON FESTIVAL becomes a biennale dedicated to urban practices and cultures in Toulouse. National and international artists continue to  invade the Pink City walls and cultural venues.

Back in  2016 legendary graffiti artist FUTURA painted a train carriage in the courtyard of the Museum of Contemporary Art of Toulouse, Les Abattoirs ( see our coverage here ).

The 2019 edition, co-curated by TILT and Nicolas Couturieux, pursues the expansion of the ‘open air gallery’ with outside walls painted by RERO , MOMO, JEROEN EROSIE, MADEMOISELLE KAT, MOSES AND TAP, HENSE as well as installations by MARK JENKINS.

Rose Beton 2019 - MOMORose Beton 2019 - HENSERose Beton 2019 - HENSEHENSE

Rose Beton 2019 - EROSIE
EROSIE

Rose Beton 2019 - RERO
RERO

Rose Beton 2019 - MLE KAT
Mademoiselle Kat


Installation by Mark Jenkins © Benjamin Roudet

The second part of the Rose Beton Biennale will kick start on  26 September with an exhibition featuring works and installations from TANIA MOURAUD, TODD JAMES and CLEON PETERSON inside The Abattoirs, Museum of Modern and Contemporary Art.

Art Paris Art Fair 2018
Tania Mouraud Guest of honour of the Rose Beton Biennale

Cleon Peterson - Victory
Cleon Peterson

Todd James - Fantasy Island
Todd James

Many events, mediation, tours, workshops, and conferences are scheduled throughout the Rose Beton Biennale. For full programme, please visit the website

Photos © Butterfly Art News unless otherwise stated

ROSE BETON BIENNALE
26 September 2019 – January 5, 2020
Les Abbatoirs
76 allées Charles-de-Fitte
31300 Toulouse

 

Grenoble: Obey Giant – 30 Years of Resistance

To kick start the 30th Year anniversary of Obey Giant, the Street Art Fest in Grenoble (France) presents the largest exhibition ever organized dedicated to the prolific career of American artist Shepard FAIREY.

Obey Grenoble 01

Starting in 1989, Shepard Fairey became known for his stickers featuring Andre the Giant, and then for the Obey the Giant campaign. He became world famous by producing Obama’s campaign poster “Hope” in 2008. In France, his ‘Marianne’ portrait, tribute to the victims of Paris terrorist attacks, adorns the office of the French President, while protesters have revisited this image with a blinded Marianne.

Obey Grenoble 04
Obey Grenoble 03

Spanning over 30 years (1989-2019), this comprehensive exhibition offers a global vision of the work of the artist with 600 works, with a selection of his best visuals, enriched with anecdotes and detailed information.
From his first hand-made stickers to his latest multilayered screenprints, visitors get to understand the esthetic and dissent messages by Shepard Fairey and his prolific body of work. A chronologic timeline presents a selection of 150 iconic screenprints, complemented by thematic sections like environment, politics, charities, peace, and music. The exhibition curated by Jérôme Catz provide a comprehensive picture of Shepard’s Fairey 30 years career.

 

Obey Grenoble 07
Obey Grenoble 12
Obey Grenoble Propaganda 01Obey Grenoble 15
Obey Grenoble Music 03
Obey Grenoble 05

View the full set of pictures here

In parallel to the exhibition, Shepard Fairey also painted a monumental mural entitled ‘Rose Girl’ in Grenoble (see our coverage here).

Obey Giant – 30 Years of Resistance
Ancien Musée de Peinture
Place de Verdun 38000 Grenoble
Until 27 October 2019
Wed – Sun from 1PM-7PM