Category Archives: Shows

Brussels: dran ‘Tiens’ @ Adda Gallery

dran 'Tiens'

Six years after his last major solo show at POW, French artist dran comes back to the scene with a comprehensive solo exhibition ‘Tiens’ curated by Adda Gallery in Brussels.

‘Tiens’ presents an ‘ABCD’aire’, an A to Z series of canvases illustrating anecdotes, popular expressions and tales,as well as drawings, earlier artworks on cardboard ,  hand finished prints and a new book. We can see the evolution of dran’s mood from the past two years throughout his paintings.

In the entrance large monochrome free-hand paintings remind us of his installation at Palais de Tokyo in 2014. A wink to his 2015 London performance ‘Public Execution’ (covered) is shown with the maid sweeping all the questions, and ‘Execution‘ featuring a painter being shot by red dots.

dran 'Tiens'    dran 'Tiens'
Dran - Public Execution Show  dran 'Tiens'  dran 'Tiens'
London 2015                       Brussels 2016

Apart from a few grey tones canvasses,  dran sets the tone with ‘Tiens’ featuring a depressed arlequin sitting down approached by a little girl who gives him a coloured card to inspire him and cheer him up.

The ABCd’Air series starts with a breadth of fresh air (bol d’air), with a cloud having breakfast. Many of the depicted characters are happy, screaming with joy and open arms in the air from ‘aaaa‘, a little boy standing on his bed,  a cry from the heart, a little girl smiling under a shower of coloured paint to the series of 88 hand finished prints.

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Topics include the everyday life: addiction to social media, education, house hunting, environment issues with ‘La Semeuse’, French traditional symbol, seen polluting by throwing away batteries, love (X croisement), trust (Pont)…

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Animals have anthropomorphic features. A lion puts some make up, lipstick and glitter to disguise as a zebra. ‘Faire le zebre’ means ‘fool around / put up a show’. The world is upside down, when a bear contemplates his profits selling his own skin, while a rabbit is taking revenge on hunters on the run.

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In ‘Urgent’ a grim reaper is laughing out loud (Mort de rire) while ‘Graffiti’  plays on the art of buffing and the various shades of grey. ‘Toile’ may come as a surprise but it is a witty trompe l’oeil featuring the back of a canvas with the signature of Elmyr, an hommage to the infamous forger Elmyr de Hory, who forged over 1000 canvasses from Matisse to Picasso and are exhibited in museums worldwide and still not identified. While Elmyr was imprisoned and committed suicide in 1976, no one knows his real painting style.

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A second room presents earlier works, drawings, artworks on cardboard as well as 88 hand finished prints. The Thinker is wrapped with fragile tape.  A large scale canvas ‘Ciao’ featuring a mouse leaving a big boat sounds premonitory of the current Brexit situation.  Last but not least, energetic characters like a little ballerina full of colours thank the audience.

View the full set of pics here

dran ‘Tiens’
Until 10 July 2016
ADDA Gallery
51 Rue de la Madeleine
Bruxelles

Studio Visit: Mike Dargas in Cologne (DE)

Mike Dargas - Studio Visit

We dropped by the studio of hyper-realist painter Mike Dargas in Cologne, Germany ahead of his upcoming solo exhibition at Opera Gallery  in London, curated by Jean-David Malat and  opening on 6th July.

Mike Dargas - Studio Visit

Drawing his inspiration from masters like Dali, Caravaggio and HR Giger, Mike Dargas studied various techniques and since his youth developed a passion for realism, which he narrowed down to hyperrealism over the years.

A first look at Mike Dargas’ artworks, they can easily be mistaken for large scale photographs. Years of practice mastering the oil painting enabled him to create hyperrealist portraits with very intricate details. The German artist’s love for precision, in an almost obsessive manner, brings models to life under the brush stroke and draws one into a dreamlike world where time has suspended.

Like photography Mike Dargas loves to play with shadows, focus and depth of field to create mesmerising portraits. In his liquid-series, the photorealism of the dripping effect on the faces of his models is breathtaking and exults in sensuality.

Mike Dargas - Studio VisitMike Dargas - Studio Visit     Mike Dargas - Studio VisitMike Dargas - Studio VisitMike Dargas - Studio Visit     Mike Dargas Studio VisitMike Dargas - Studio Visit
Mike Dargas - Studio Visit    Mike Dargas - Studio Visit  Mike Dargas - Studio Visit        Mike Dargas - Studio Visit

View the full set of pics here

Mike Dargas – Opera Gallery
6 – 20 July
134 New Bond Street
W1S 2TF London

London: A. Giacometti and Yves Klein at the Gagosian

A. Giacometti & Yves Klein

Gagosian Gallery in London is currently presenting the first-ever exhibition to pair key works by Alberto Giacometti (1901–1966) and Yves Klein (1928–1962).

At first glance, Giacometti and Klein, artists born a generation apart, could not be more different: Giacometti was a master of material form, and of the representation of the figure; Klein was an influential theorist whose art married the conceptual with the cosmic. In the 1950s and early 1960s, the two artists lived and worked within a mile of each other, in Montparnasse, Paris, but there are few clues in their work to suggest that they shared the same artistic milieu. What they did have in common was an acute consciousness of the catastrophic effects of the Second World War and its aftermath on European culture. Each dealt with it in his own way: in his sculptures, Giacometti struggled to evince a vital human presence from nothing; Klein shunned the personal, autobiographical mark, attempting to dematerialise painting to the point of pure saturated colour.

Curated by Joachim Pissarro, Giacometti’s nervously modelled figures and heads are confronted by Klein’s intense and expansive colours. Each artist is generously represented by works on loan from the Fondation Alberto Giacometti, the Yves Klein Archives, the Beyeler Foundation, and distinguished private collections.

A. Giacometti & Yves KleinA. Giacometti & Yves Klein     A. Giacometti & Yves KleinA. Giacometti & Yves KleinA. Giacometti & Yves Klein A. Giacometti & Yves Klein     A. Giacometti & Yves Klein     A. Giacometti & Yves Klein     A. Giacometti & Yves Klein
A. Giacometti & Yves Klein

View the full set of pics here

Alberto Giacometti and Yves Klein
In Search of the Absolute
Gagosian Gallery
20 Grosvenor Hill
London W1K 3QD

Toulouse: Rose Beton Festival – Part 1

Rose Beton Festival - Toulouse

Curated by Tilt, this year’s Rose Beton Festival in Toulouse  is dedicated to the roots of graffiti and specially New York.

So to kick start the three months festival in the pink city, a photographic exhibition held at the oldest art space for photography, Chateau d’Eau retraces iconic moments from the NY subway trains and graffiti scene with legendary graffiti photographers Martha Cooper  and Henry Chalfant.

Both had a very different approach when documenting the scene. Martha Cooper was interested in the overall scene as well as the context, while Henry Chalfant focussed on the graffiti itself.

Rose Beton Festival - ToulouseRose Beton Festival - Toulouse

On the lower ground floor a 15 meters wide installation showcases for the first time  all the trains photographed by Henry Chalfant.

Rose Beton Festival - Toulouse
Rose Beton Festival - ToulouseRose Beton Festival - Toulouse    Rose Beton Festival - Toulouse
Rose Beton Festival - Toulouse    Rose Beton Festival - Toulouse

In parallel the exhibition also presents works by Sylvain Largot focussing on illegal graffiti.

Rose Beton Festival - Toulouse
Rose Beton Festival - Toulouse    Rose Beton Festival - ToulouseRose Beton Festival - Toulouse    Rose Beton Festival - Toulouse
Rose Beton Festival - Toulouse
Rose Beton Festival - Toulouse

View the full set of pics here

Photographies – Chateau D’Eau
Martha Cooper / Henri Chalfant/ Sylvain Largot
Until 27 June  2016

ROSE BETON FESTIVAL
Until August 2016

Marrakech: Rancinan @ Montresso* Art Foundation

Gérard Rancinan & Caroline Gaudriault

Launched with the Marrakech Biennale (covered) the new museum space of the Montresso* Art Foundation opened with a retrospective dedicated to French photographer Gerard Rancinan, retracing forty years of photographic work.

Intensely theatrical and heavily staged, the photographs feature a rich visual landscape with elaborate costumes and dramatic poses.

The world’s biggest photograph measuring 9 x 13 meters  features ‘Le Radeau des Illusions’  outside the new museum space.

Gérard Rancinan & Caroline GaudriaultGérard Rancinan & Caroline Gaudriault    Gérard Rancinan & Caroline GaudriaultGérard Rancinan & Caroline GaudriaultGérard Rancinan & Caroline Gaudriault
Gérard Rancinan & Caroline Gaudriault  Gérard Rancinan & Caroline Gaudriault   Gérard Rancinan & Caroline Gaudriault

Conceived in collaboration with French author Caroline Gaudriault, the exhibition showcases a series of the largest to date photographs retracing major periods of the artist: Portraits ( showing artist friends within their creative space), The Trilogy of Moderns  ( 2007 – 2013) and Human Destiny (2015).

Texts by Caroline Gaudriault have been calligraphed by Ouida Abdelghani and  translated by Said Tliti.

Gérard Rancinan & Caroline Gaudriault
Gérard Rancinan & Caroline Gaudriault
Gérard Rancinan & Caroline Gaudriault
Gérard Rancinan & Caroline Gaudriault     Gérard Rancinan & Caroline Gaudriault
Gérard Rancinan & Caroline Gaudriault     Gérard Rancinan & Caroline GaudriaultGérard Rancinan & Caroline GaudriaultGérard Rancinan & Caroline GaudriaultMontresso Art Foundation

View the full set of pics here

Rancinan and Caroline Baudriault
Montresso* Art Foundation
Marrakech