London: A. Giacometti and Yves Klein at the Gagosian

A. Giacometti & Yves Klein

Gagosian Gallery in London is currently presenting the first-ever exhibition to pair key works by Alberto Giacometti (1901–1966) and Yves Klein (1928–1962).

At first glance, Giacometti and Klein, artists born a generation apart, could not be more different: Giacometti was a master of material form, and of the representation of the figure; Klein was an influential theorist whose art married the conceptual with the cosmic. In the 1950s and early 1960s, the two artists lived and worked within a mile of each other, in Montparnasse, Paris, but there are few clues in their work to suggest that they shared the same artistic milieu. What they did have in common was an acute consciousness of the catastrophic effects of the Second World War and its aftermath on European culture. Each dealt with it in his own way: in his sculptures, Giacometti struggled to evince a vital human presence from nothing; Klein shunned the personal, autobiographical mark, attempting to dematerialise painting to the point of pure saturated colour.

Curated by Joachim Pissarro, Giacometti’s nervously modelled figures and heads are confronted by Klein’s intense and expansive colours. Each artist is generously represented by works on loan from the Fondation Alberto Giacometti, the Yves Klein Archives, the Beyeler Foundation, and distinguished private collections.

A. Giacometti & Yves KleinA. Giacometti & Yves Klein     A. Giacometti & Yves KleinA. Giacometti & Yves KleinA. Giacometti & Yves Klein A. Giacometti & Yves Klein     A. Giacometti & Yves Klein     A. Giacometti & Yves Klein     A. Giacometti & Yves Klein
A. Giacometti & Yves Klein

View the full set of pics here

Alberto Giacometti and Yves Klein
In Search of the Absolute
Gagosian Gallery
20 Grosvenor Hill
London W1K 3QD

Toulouse: Rose Beton Festival – Part 1

Rose Beton Festival - Toulouse

Curated by Tilt, this year’s Rose Beton Festival in Toulouse  is dedicated to the roots of graffiti and specially New York.

So to kick start the three months festival in the pink city, a photographic exhibition held at the oldest art space for photography, Chateau d’Eau retraces iconic moments from the NY subway trains and graffiti scene with legendary graffiti photographers Martha Cooper  and Henry Chalfant.

Both had a very different approach when documenting the scene. Martha Cooper was interested in the overall scene as well as the context, while Henry Chalfant focussed on the graffiti itself.

Rose Beton Festival - ToulouseRose Beton Festival - Toulouse

On the lower ground floor a 15 meters wide installation showcases for the first time  all the trains photographed by Henry Chalfant.

Rose Beton Festival - Toulouse
Rose Beton Festival - ToulouseRose Beton Festival - Toulouse    Rose Beton Festival - Toulouse
Rose Beton Festival - Toulouse    Rose Beton Festival - Toulouse

In parallel the exhibition also presents works by Sylvain Largot focussing on illegal graffiti.

Rose Beton Festival - Toulouse
Rose Beton Festival - Toulouse    Rose Beton Festival - ToulouseRose Beton Festival - Toulouse    Rose Beton Festival - Toulouse
Rose Beton Festival - Toulouse
Rose Beton Festival - Toulouse

View the full set of pics here

Photographies – Chateau D’Eau
Martha Cooper / Henri Chalfant/ Sylvain Largot
Until 27 June  2016

ROSE BETON FESTIVAL
Until August 2016

ART|BASEL 2016 – Part 1

Art|Basel Unlimited

Collectors, gallerists, critics and journalists, all the art world gathered for a week in Switzerland for the The 47th edition of Art Basel, the world’s biggest art fair, featuring an overwhelming 4,000 artists across stands by 287 galleries from 33 countries.

Curated by Gianni Jetzer, the Unlimited sector of Art|Basel is dedicated to 88 institution-sized works, focussing on politically engaged works, from massive sculpture and paintings, video projections, large-scale installations to live performances.

 Art|Basel Unlimited

Ai Weiwei  turned the remains of a Qing Dynasty (1644-1911) wooden residential structure into an 80-square-meter installation covered in white paint namely titled ”White House’, and balanced on glass bowls.

Art|Basel Unlimited

A substantial work by Greek sculptor Vlassis Caniaris made during a period of ex-patriation in Berlin, called ‘Praise’ (1974) touches upon themes of stifled movement, ownership, possession, and displacement.

The most impressive installation is Hans Op de Beeck’s “The Collector’s House”, an immersive, gray-plaster piece that invites viewers to enter the Pompeii-like petrified home of an aesthete, complete with a grand piano in the lounge, a library full of books, and beautiful Roman sculptures surrounding a lotus pond.

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The Gli (Wall) is a dazzling gold sculpture formed with aluminium and copper wire from 2010 by Ghanaian artist El Anatsui.

Art|Basel Unlimited

Paul McCarthy’s playful and highly expressive 1994 “Tomato Head,” is a play on the children’s toy Mr. Potato Head.

Art|Basel Unlimited

Peter Halley’s 2016 “Weak Force” is  a colorful wall installation mixing new grid paintings with digitally printed wallpaper that echoes the hues and patterns of the paintings.

Art|Basel UnlimitedArt|Basel UnlimitedArt|Basel Unlimited    Art|Basel Unlimited  Art|Basel Unlimited    Art|Basel Unlimited Art|Basel UnlimitedArt|Basel Unlimited    Art|Basel Unlimited Art|Basel Unlimited    Art|Basel Unlimited

View the full set of pics of Art|Basel 2016 here

Stay tuned for the rest of our coverage of Basel Week 2016.

Marrakech: Rancinan @ Montresso* Art Foundation

Gérard Rancinan & Caroline Gaudriault

Launched with the Marrakech Biennale (covered) the new museum space of the Montresso* Art Foundation opened with a retrospective dedicated to French photographer Gerard Rancinan, retracing forty years of photographic work.

Intensely theatrical and heavily staged, the photographs feature a rich visual landscape with elaborate costumes and dramatic poses.

The world’s biggest photograph measuring 9 x 13 meters  features ‘Le Radeau des Illusions’  outside the new museum space.

Gérard Rancinan & Caroline GaudriaultGérard Rancinan & Caroline Gaudriault    Gérard Rancinan & Caroline GaudriaultGérard Rancinan & Caroline GaudriaultGérard Rancinan & Caroline Gaudriault
Gérard Rancinan & Caroline Gaudriault  Gérard Rancinan & Caroline Gaudriault   Gérard Rancinan & Caroline Gaudriault

Conceived in collaboration with French author Caroline Gaudriault, the exhibition showcases a series of the largest to date photographs retracing major periods of the artist: Portraits ( showing artist friends within their creative space), The Trilogy of Moderns  ( 2007 – 2013) and Human Destiny (2015).

Texts by Caroline Gaudriault have been calligraphed by Ouida Abdelghani and  translated by Said Tliti.

Gérard Rancinan & Caroline Gaudriault
Gérard Rancinan & Caroline Gaudriault
Gérard Rancinan & Caroline Gaudriault
Gérard Rancinan & Caroline Gaudriault     Gérard Rancinan & Caroline Gaudriault
Gérard Rancinan & Caroline Gaudriault     Gérard Rancinan & Caroline GaudriaultGérard Rancinan & Caroline GaudriaultGérard Rancinan & Caroline GaudriaultMontresso Art Foundation

View the full set of pics here

Rancinan and Caroline Baudriault
Montresso* Art Foundation
Marrakech

Streets: Banksy at Bridge Farm Primary School (Bristol)

Banksy Square (Large)

Banksy is back to his hometown in Bristol with a new piece that appeared overnight  on the wall of Bridge Farm Primary School.

The work was done as a thank you gift to the children that named one of the houses after him. A few weeks ago, the school ran a competition to change house names and the school officials wrote to Banksy’s team to let him know about it.

The doodle-style mural depicts a kid rolling a burning tire next to a house and flower, like a tongue in cheek  comment on the current society and riots.

The work was accompanied by a hand written letter by Banksy which reads :

“Dear Bridge Farm School, thanks for your letter and naming a house after me.
Please have a picture, and if you don’t like it, feel free to add stuff. I’m sure the teachers won’t mind. Remember, it’s always easier to get forgiveness than permission.  Much love, Banksy.”

Banksy Letter (Large)Banksy Whole (Large)Banksy Signature (1)            Banksy Flower (1)Banksy Tyre (Large)Banksy Oblique (Large)

Photo credit: Feralthings