Tag Archives: FEATURED

CAPITALE(S) 60 Years of Urban Art in Paris

November 9, 2022 butterfly

Butterfly Art News is pleased to partner with the Ville de Paris for the Exhibition ‘CAPITALE(S) – 60 ans d’art urbain’, hosted within the Hotel de Ville, Paris City Hall, and running from 15 October until 3 June 2023. Free entry, but booking is essential here

Through the creations of more than 70 artists, works from prestigious collections, archive documents, photos and videos, in situ interventions, painted walls throughout the city, CAPITALE(S) presents a wide panorama of the Urban Art Movement and the importance of the Parisian scene spanning across the past 60 years.

The exhibition starts with pioneers from the 60’s and 70’s like Jacques Villegle, Raymond Hains, Ernest Pignon-Ernest or Zlotykamien.

Then the early 80’s feature the white man figures of Jerôme Mesnager, robots by Speedy Graphito and the proliferation of stencils by Miss Tic, Blek Le Rat, Mosko, Jef Aerosol, Epsylon Point.

This period of intense urban activity allows the emergence of artists’ collectives such as VLP (Vive la Peinture) affiliated with the punk culture or the Ripoulin brothers.

French-American teenager Bando (b. in 1965) introduced graffiti in France after writing in New York, followed by the New York City Rap Tour in 1982. Graffiti writers invade the banks of the Seine and adorn the palissades of the Louvre construction site. Stalingrad, a spot found by graffiti writer Ash, becomes the Hall of Fame for the prolific graffiti scene until 1989, featuring writers like Mode2, Niels ‘Shoe’ Meulman, Lokiss, Nasty, SKKI and numerous graffiti crew. In parallel Psychose paints in the catacombs and the underground sewers system.

In 1987 Keith Haring paints the emergency staircase of the Hopital Necker to provide hopes of brightening the spirits of sick children in the world’s first pediatric hospital.

Like in the US, graffiti was severely repressed in Paris in the early 90’s. American artists like Futura, A-One or even Rammellzee gain recognition from the European artistic community and present their works in galleries and museums in Paris. JonOne will settle permanently in Paris.

In the 2000’s, urban art has become a global movement with a multitude of techniques: from graffiti to street art, paste ups, stickers, stencils, mosaics and more. International artists are coming to Paris to leave their mark: Shepard Fairey, Swoon, Banksy, Vhils.

French artists have also gained international recognition: Andre, Invader, Zevs, JR, Dran, Lek and Sowat, Seth, L’Atlas, C215, Ludo, RERO, Philippe Baudelocque to Levalet.

Specially for CAPITALE(S), Invader has put two new aliases to be flashed for all the Flash Invaders addicts and shared a fully updated map of his invasion of the streets of Paris.

The exhibition presents also immersive and playful experiences.

Kashink, Kraken and Madame have created 3 entirely virtual works, hidden in a secret room of the exhibition: “The Fifth Wall“. A hunt for clues in Augmented Reality can be found through QR codes to be scanned under the works.

Visitors can try out graffiti with a digital spray can through GRAFFITI DIGITAL Picturae.

Artist Cristobal Diaz has created a GRAFF BOX, an immersive experience combining urban calligraphic production with playful digital devices featuring 250 artists.

While it is difficult to include the full scope of artists that have been active in Paris in the past 60 years within the City Hall, the four curators Magda Danysz, Elise Herszkowicz, Nicolas Laugero Lasserre and Marko93 have gathered following artists:

• Jacques Villeglé • Zlotykamien • Ernest Pignon-Ernest • Surface Active • Captain Fluo • Edmond Marie Rouffet • Blek le Rat • Miss.Tic • VLP • Speedy Graphito • Jean Faucheur • Mesnager • Mosko • Jef Aérosol • Bando • Ash • Jay0ne • SKKI • Keith Haring • Mambo • Nasty • Slice • Psyckoze • Lokiss • Shoe • Futura • A-One • Rammellzee • Jon0ne • André • Zevs • Dize • Invader • Shepard Fairey • JR • Vhils • Swoon • Banksy • C215 • L’Atlas • YZ • Seth • Tarek Benaoum • eL Seed • Ludo • Rero • Dran • O’Clock • Tanc • Lek • Sowat • Cristobal Diaz • Philippe Baudelocque • Levalet • Madame • Kashink • Vision • Pest • Greky • Sébastien Preschoux • Romain Froquet • Kraken • 9eme Concept • Les Francs Colleurs • Saype

There is also a prolific programme throughout the exhibition:

New murals will be painted at the Pavillon Carré de Baudouin and in several Parisian districts,
A selection of pictures will be featured on the gates of the City Hall,
Workshops, conferences and screenings of films and documentaries.
A book accompanying the exhibition is available at Gallimard / Editions Alternatives

Big thanks to all the teams, artists, photographers, lenders and institutions that have participated to the exhibition, specially Clemence Demolling, as well as all the artists that have contributed to the scene over the past 60 years.

CAPITALE(S) – 60 ANS D’ART URBAIN

PARIS HOTEL DE VILLE ( Paris City Hall), 5 Rue Lobeau 75004 Paris

15 October – 3 June 2023

Free entry, but booking is essential here

streets, Ukraine

Banksy in Ukraine

November 7, 2022 butterfly

As the war in Ukraine continues, a new stencil has appeared in Kyiv in a special location: Independence Square. It bears all the hallmarks of elusive artist Banksy: one layer stencil featuring a boy and girl adapting to war playing seesaw with an anti-tank obstacle. It was left unfinished, as it seems that the grey paint was a first layer to avoid rust on the anti-tank obstacle.

Photo credit: Max Ganz

Update 9 November

Banksy continues his trip through Ukraine. This time in a residential district of Borodyanka, a town located north west from Kyiv that was partially destroyed at the start of the conflict.

This time the multilayered stencil features a child throwing a man on the floor like a judo match.

For info Russian President Vladimir Putin, who was a black belt in Judo, was removed from his position of honorary president of the international Judo Federation (IJF) in May.

Photos credit Ed Ram / Getty Images

Banksy has now confirmed the artworks on his website. Despite the chaos, the gymnast is still standing

Festival, France, streets

Lek and Sowat Sandcastle for the LaBel Valette Festival

August 8, 2022 butterfly 1 Comment

Marking the fifth anniversary of the LaBel Valette Festival in France, artists Lek and Sowat have given a new identity to this 19th century castle, by painting all its surfaces and transforming it into a monumental sandcastle.

Located in Pressigny-les-Pins, around one hour from Paris by train, Château de la Valette sits on just under 100 acres of wooded land and is comprised of the castle, a chapel, and two three-storey dormitory buildings. After the colourful works of Okuda (2018), 3ttman (2019), the giant calligraphy of L’Atlas (2020) and the optical illusions of Astro (2021), this mythical duo open the LaBel Valette festival that will take place on August 26 and 27, 2022.

The LaBel Valette Festival, organised by UAC (Urban Art Crew) and U2A (Urban Art Agency), will take place on August 26 and 27, 2022 at La Valette estate in Pressigny-les-Pins.
The two days programme includes graffiti battles, a musical production competition, live painting, workshops as well as a series of music concerts. Full programme here

Check pictures of the work in progress below:

Lek and Sowat were struck by the intense history of the ‘Domaine de La Valette’. Firstly belonging to the estate of a Count and a Countess, it then became property of Franco, followed by the Spanish republicans. It was later transformed into a college, then fell into abandonment. And was bought by an individual. The castle holds eventually a strong position of Street Art in France thanks to the LaBel Valette Festival project.

The artistic duo decided to work around the image of the sandcastle, which refers to the ephemeral nature of Street Art, and pixels, which evoke the aesthetics of the 80s.
Using bright blue and neon colours, they painted 10 000 square meters to transform the castle entirely.
Lek and Sowat ’s Sandcastle illustrates this year’s theme of the festival “Believe in your dreams”: A sandcastle can be erased by the rising tide but is rebuilt thanks to the venue of a new artist. A sandcastle is fragile, requires attention and commitment. It is imagined, hoped for, then built.

France, Museum, Shows

Hisham Echafaki – Mirabilia Naturae at Musee Jean Larcena

May 26, 2022 butterfly

The Museum Jean Larcena, in Val d’Ocre, Burgundy, France, is pleased to open an exhibition of works by London based artist Hisham Echafaki entitled Mirabilia Naturae ( Wonders of Nature), curated by Butterfly Art News. The exhibition runs until 19 June 2022.

Hisham Echafaki is a self-taught multidisciplinary artist who has been exhibiting internationally for over fifteen years. The artist’s style is a mix between realism and surrealism and sometimes uses the trompe-l’oeil technique.

In 2013, for the David Bowie exhibition at the Victoria & Albert Museum in London, Hisham Echafaki produced an anthropomorphic portrait of the singer composed entirely of 66 animals with a surprising trompe-l’oeil effect to celebrate the 66^th Birthday of the singer.

In 2019 Hisham Echafaki was invited by the Musée de la Poste in Paris to illustrate the facade with a 13-meter fresco retracing the history of mailboxes and artistic movements.

The artist will well appreciated with the local residents of Val d’Ocre as in 2018 he painted a giant fresco featuring an Iberian tortoise to warn about this endangered species. The mural has been the mascot of Val d’Ocre since.

MIRABILIA NATURAE – Wonders of Nature

From the end of the XVII th Century, explorers illustrated their discoveries of new animal and plant species and named them in Latin.

With the exhibition ‘Mirabilia Naturae’, Hisham Echafaki pays tribute to these ancient explorers who show us the wonders of nature, and transports us to a universe where the beauty and diversity of fauna and flora are celebrated in all their patterns and colours.

The series on display includes works on canvas, works on paper and multi-dimensional paintings on resin or plexiglass.

Beyond aesthetic imagery and the celebration of the beauty of nature, the themes of the exhibition highlight issues of biodiversity, the conservation of threatened species and habitats, and the impact of Man on the evolutionary changes of animal species.

In parallel with his paintings, Hisham Echafaki has also created a particular and very meticulous technique of painting on resin and plexiglass whose rendering is three-dimensional. His almost realistic animal works are based on multiple superimposed and meticulous layers of paint, resin, creating an effect of perspective.

This series of multi-dimensional works attempts to capture the beautiful complexity and diversity of the animal world. Detailed pieces can take up to 15-30 layers and several months to complete.

Whether based on real or imaginary specimens, butterflies, fishes or bees are immortalized giving the optical illusion that they could have been living creatures. Presented as “faux taxidermy”, animals often have anthropomorphic features on their wings or bodies with recognizable patterns from art, design, science while others, such as aquatic creatures, are just more realistic.

Hisham Echafaki would like to thank all the people that helped him on this exhibition: local residents of Val d’Ocre, the core team of the Museum with Francoise Richez, Patrice Lagrange, Sylvie Marchand, Bernard Curnier, and also Bassim, David Chaumet and Butterfly who worked on the preparation of the exhibition.

Here are some pictures from the set up and the opening:

Rome, Shows

Rome: Damien Hirst Archaeology Now at Villa Borghese

November 7, 2021 butterfly

Archaeology Now is a Solo exhibition by British artist Damien Hirst presenting over 80 works from the Treasures from the Wreck of the Unbelievable series, hosted in the sumptuous halls of Galleria Borghese, in a creative dialogue with the magnificent masterpieces of the museum.

The project stems from one of Hirst’s most original research in the last twenty years, on display for the first time in 2017 in Venice. The artist worked with different materials – natural, technological and precious – with exceptional technique and skill. His works – made from marble, bronze, rock crystal, and semi-precious stones – cross the boundary between reality and fiction, enhancing the desire for the eclecticism of Cardinal Scipione Borghese, the Gallery founder.

Hirst’s sculptures come with an elaborate (and untrue) backstory. Purportedly 2,000 years old, they were supposedly uncovered in the cargo of a sunken ship rescued off the coast of East Africa in 2008, part of an underwater archaeology venture funded by the British artist (hence the coral and barnacles encrusting some of the works). The original “Treasures” exhibition, which reportedly cost $65 million to produce, debuted at the Palazzo Grassi and the Punta della Dogana in 2017.

Curated by Anna Coliva and Mario Codognato Archaeology Now brings together sculptures, both monumental and small, made from materials such as bronze, Carrara marble, and malachite.

Furthermore, alongside the Gallery permanent collection, the Colour Space paintings are displayed for the first time in Italy. Hirst defined them as “cells under the microscope”: They break the idea of a unified image, float in space, colliding and merging with one another, with a sense of movement that contradicts the stasis of the canvas.