Los Angeles: Takashi Murakami – GYATEI2

Takashi Murakami - GYATEI2

Japanese artist Takashi Murakami is currently showing a new exhibition entitled GYATEI² at the Gagosian Gallery in Los Angeles.

The exhibition title comes from the Buddhist Hannya Shingyo (Heart Sutra), an incantation often chanted by Zen groups before or after a meditation and translates roughly to “gone, gone, gone beyond, gone completely beyond, enlightenment, svāhā.”

GYATEI² reveals myriad variations of interconnected imagery, each permutation and combination generating new meaning.

Takashi Murakami - GYATEI2

Murakami’s first character, Mr. DOB—a whimsical, sharp-toothed Mickey Mouse–like character—reappears in different forms, as does the ubiquitous rainbow flower.

Takashi Murakami - GYATEI2

Elsewhere, images of doorways, graffiti of the word “viral,” and a self-portrait of the artist and his dog are overlaid onto dense graphic patterns.

Takashi Murakami - GYATEI2Takashi Murakami - GYATEI2
Takashi Murakami - GYATEI2

A Statue of Flower Parent and Child (2019), cast in bronze and covered in gold leaf, stands sixteen feet tall and shows an enormous flower character with its flower offspring. Similarly, the rabbit like Kaikai and three-eyed, smiling Kiki (both 2019) are rendered in cast bronze covered in platinum leaf, the cute yet imposing characters illustrating Murakami’s interest in paradox, as kikikaikai describes something that is dangerous yet appealing.

Takashi Murakami - GYATEI2Takashi Murakami - GYATEI2Takashi Murakami - GYATEI2

The seventeen-panel Qinghua (2019) reinterprets a motif originally painted on a vase from the Chinese Yuan Dynasty (c. 1206–1368), whose imagery mingled in Murakami’s memory with childhood trips to the riverside with his father, where fishers would haul enormous carp. At almost eight feet high and fifty-eight feet wide, the image proceeds panel by panel, like an enormous storyboard, or a vase that has been unrolled like a long scroll along the gallery’s walls.

Takashi Murakami - GYATEI2Takashi Murakami - GYATEI2

View the full set of pics here

Takashi Murakami – GYATEI²
Gagosian Gallery
456 North Camden Drive
Beverly Hills, CA 90210

Los Angeles: Hisham Echafaki at The Other Art Fair

London based artist Hisham Echafaki is currently exhibiting a new series of large scale multidimensional paintings at The Other Art Fair in Los Angeles.

Continuing to push the limits, the trompe l’oeil effects are so intricately done, that the eyes can be deceiving in believing these are real insects, butterflies and dragonfly. But, no , the visual effect are the results of a long and detailed process of acrylic paint and layers of resin. Even a closer look can leave the visitors puzzled as to whether these specimen really exist.

Playing with depth, iridescence and transparence, Hisham Echafaki imaginary creatures seem to be floating in space. A magical moment not to be missed.


Hisham Echafaki
The Other Art Fair – Los Angeles
Booth 95
The Magic Box – The Reef
Los Angeles 90015 CA

Paris: Jean-Michel Othoniel ‘Oracles’

Jean Michel Othoniel - Oracles

Galerie Perrotin presents a new solo show of French contemporary artist Jean-Michel Othoniel in Paris, following several important personal exhibitions in Canada, USA and France in 2018.

Jean-Michel Othoniel’s enchanting aesthetics revolves around the notion of emotional geometry. Using the repetition of modular elements such as bricks or his signature beads, which are his most recurring motif, he creates exquisite jewelry-like sculptures whose relationship to human scale ranges from intimacy to monumentality

Jean Michel Othoniel - Oracles

The exhibition entitled ‘Oracles’ brings together fifteen minimalistic, enigmatic sculptures made of glass or metal bricks, the artist has systematized the use of a module that entered his work in 2009, after a journey to India. On the road from Delhi to Firozabad, a city with an age-old glassmaking tradition, he was struck by the stacks of bricks accumulated in the hope of building a house and by the countless altars covered in offerings and multicoloured necklaces. Since then, he has called on the knowledge of Indian glassblowers to blow blue, amber, yellow and grey glass bricks.

Monumental yet delicate, the sculptural installations allow the viewers to inhabit his world through reflection and motion.

Jean Michel Othoniel - Oracles
Jean Michel Othoniel - OraclesJean Michel Othoniel - Oracles
Jean Michel Othoniel - OraclesJean Michel Othoniel - Oracles Jean Michel Othoniel - OraclesJean Michel Othoniel - OraclesJean Michel Othoniel - OraclesJean Michel Othoniel - OraclesJean Michel Othoniel - Oracles

View the full set of pics here

Jean Michel Othoniel – Oracles
Until 8 June 2019
Galerie Perrotin, Paris

 

Celebration of Female Artists

Swoon - Nuit Blanche Paris 14

We would like to celebrate our favorite female artists worldwide, who are pushing boundaries in graffiti /street art as well as contemporary art. The list is unlimited so we are sending much love and support to ALL the female artists.

Keep doing what you are doing!

AIDA WILDE (UK)
Aida Wilde

BARBARA KRUGER (US)
Barbara Kruger - Forever

AYA TAKANO (JP)
Aya Takano

CARRIE REICHARDT
The Art of Politics

CHIHARU SHIOTA (JP)
Chiharu Shiota

FAITH47 (SA)
Faith47 - London

HERA (DE)
Herakut


LADY AIKO (US)

Aiko -Unstoppable Waves

MAD C (DE)
Marrakech Biennale MB6 Street Art

MAYA HAYUK (US)MIMA - Maya Hayuk

MISS VAN (FR)
Rose Beton Festival - Toulouse

NATALIA FABIA (US)

OLEK (US)
Olek - London

SWOON (US)
MIMA - Swoon

TARA MCPHERSON (US)
Tara McPherson

YAYOI KUSAMA (JP)
Yayoi Kusama

London : el Seed – Tabula Rasa

el seed 01

Tunisian-French contemporary artist, eL Seed has just opened his first UK exhibition entitled Tabula Rasa at Lazinc in London. We documented his previous visit to the UK capital in 2015 ( see here), where he painted a mural with this signature style: an adaptation of traditional Arabic calligraphy.

El Seed - London

Within his intricate compositions, el Seed emphasises the curves and loops of the script removing a layer of legilibility and adding mystery to the meaning behind the words he chooses.

eL Seed commented: “I truly believe that art is a way to open dialogue. I like to think that my artwork can cut through the boundaries that we place between ourselves; whether physical, cultural or linguistic. My exhibition at Lazinc represents a new style of painting, where I am attempting to break down my thought process into layers. It also asks the audience to question the way they think and how much they have been affected by assumption or misconception.”

el seed 03

For this exhibition, the artist has developed on his process, stripping down the works, in an effort to access his own ‘tabula rasa’.
The concept of ‘tabula rasa’, pioneered by 17th Century philosopher, John Locke, argues that at birth the human mind is a complete, but receptive blank slate, upon which experience imprints knowledge. In relation to his canvases, eL Seed has taken the idea of the tabula rasa as a starting point, with the aim to alter deep-seated preconceptions that are commonly held about the Arabic script and culture.

el seed 02

In contrast to eL Seed’s usually polished and perfected canvases, the works at Lazinc appear with an unfinished aesthetic. The surface calligraphy is ripped and torn to reveal phrases and imagery below, which materialise slowly and differently with each viewing.
The layering of words and ideas offer an insight into the thought process of the artist.

el seed 07el seed 08el seed 05el seed 10el seed 09
el seed 06

Guests are invited to reconsider all that they previously thought about Arabic and immerse themselves in the calligraphic experience.

el seed 12

View the full set of pics here

elSeed – Tabula Rasa
Until 9 march 2019
Lazinc Sacksville
29 Sackville Street
London W1S 3DX